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The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
The Dream of Scipio, the Orphic Gold Plates, and the Mithra Liturgy are compared revealing a common cosmovision predicated on the microcosm.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
This altar is dedicated to the birth of Mithras by a frumentarius of the Legio VII Geminae.
This sandstone altar found in Cologne bears an inscription to the goddess Semele and her sisters.
Aemilius Chrysanthus shares the expenses of this monument with a decurio named Limbricius Polides.
These bronze medallions associates the image of several Roman emperors with that of Mithras, usually as a rider, in the province Pontus.
This white marble relief depicting a lion-headed figure from Ostia is now exposed at the Musei Vaticani.
This inscription was commissioned by a family of priests of the invincible god Mithras.
This small cippus to Zeus, Helios and Serapis includes Mithras as one of the main gods, although some authors argue that it could be the name of the donor.
This altar for the completion of a temple to Sol Invictus by Flavius Lucilianus was found in Fossa, Italy.
This inscription shows that Publilius Ceionius, most distinguished man, dedicated a temple to Mithras at Mila, in the modern Constantina, Algeria.
This inscription by a certain Numidius Decens was found in the Forum of Lambaesis, now Tazoult تازولت in Algeria.
The most emblematic of the Syrian Mithraea was discovered in 1933 by a team led by the Russian historian Mikhaïl Rostovtzeff.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
The Mithraeum of Cabra is located in the Villa del Mitra, which owes its name to the discovery in 1951 of a Mithras tauroctonus in the remains of the Roman villa.
In this relief found in the Sárkeszi Mithraeum, Cautes and Cautopates hold an Amazon shield.
White marble relief, found near Aix "a la Torse dans un enclos ayant appartenu à la famille de Colonia".
