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Dion Chrysostom, c. 100 A.D., a philosophical writer under the emperors Nerva and Trajan, composed a series of discourses or essays (λόγοι) on various subjects, in one of which he reports concerning the doctrines and practices of the magi.
Pseudo-Plutarch, De fluviis. Goodwin, Ed. Plutarch. Plutarch’s Morals. Translated from the Greek by several hands. Corrected and revised by. William W. Goodwin, PH. D. Boston. Little, Brown, and Company. Cambridge. Press of John Wilson and son.
Pseudo-Plutarch, De fluviis. Goodwin, Ed. Plutarch. Plutarch’s Morals. Translated from the Greek by several hands. Corrected and revised by. William W. Goodwin, PH. D. Boston. Little, Brown, and Company. Cambridge. Press of John Wilson and son.
This relief of Mithras slaying the bull, framed by acanthus leaves, was sold at auction in 2011 by Bonhams.
For our German-speaking friends, don’t miss Stefan Nährlich’s blog, [ref:67685d70a6b54]. It offers a plethora of intriguing articles on not only Mithras but the entire Empire. His posts feature excellent original photographs, perfect for both Romans and barbarians alike! Enjoy exploring…
The Cilician pirates incorporated significant divine feminine elements, notably Anahita, into their Mithraic practices, profoundly influencing the initiation rites within the Roman Empire.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The frescoes depict several figures dressed in different garments associated with the Mithraic degrees.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
The vault of the Mithraeum in S. Capua Vetere is decorated with stars that have holes in their centers, which once held colorful glass decorations.
Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
This terra sigillata was found in 1926 in a grave on the Roman cemetery of St. Matthias, Trier. An eyelet indicates that it could have been hung on a wall.
Exploring religion, rituals, archaeological insights, and historical impact of the Cult of Mithras in the Danubian provinces.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
Inscription from Hamadan where the ’great king’ Artaxerxes mentions Ahuramazda, Anahita, and Mithra as guardians.
This fresco, found in the Santa Capua Vetere Mithraeum, depicts what seems to be an initiate falling forward because someone is pressing down on his shoulders.
Exploring religion, rituals, archaeological insights, and historical impact of the Cult of Mithras in the Danubian provinces.
