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The Mithraeum I in Stockstadt contained images of Mithras but also of Mercury, Hercules, Diana and Epona, among others.
The base of the column bears an inscription that records the rebuilding of a palace at Ectabana ’by the favour of Ahuramaza, Anahita and Mithra’.
The colossal head has been identified as a solar god, Apollo-Mihr-Mithras-Helios-Hermes.
The Housesteads Mithraeum is an underground temple, now burried, discovered in 1822 in a slope of the Chapel Hill, outside of the Roman Fort at the Hadrian's Wall.
Small votive altar in white limestone from Aquae Mattiacae, dedicated to Deo Invicto by a miles pius. The top preserves the head of Cautes with his raised torch.
The relief of Dieburg shows Mithras riding a horse as main figure, surrounded by several scenes of the myth.
An anonymous late-antique Christian poem, traditionally attributed to Pseudo-Paulinus of Nola (Poema 32, vv. 109–111), that ridicules pagan cults and presents Mithras, Isis, and Serapis as gods of concealment, contradiction, and unstable forms rather than light…
Why did the Romans worship a Persian god? This book presents a new reading of the Mithraic iconography taking into account that the cult had a prophecy.
This graffito seems to be an account of offerings made by Mithras worshippers in the Cassegiato di Diana.
Acclaimed esoteric scholar @peter.mark.adams talks about his latest book, ‘Ritual and Epiphany in the Mysteries of Mithras’, interviewed by professor, writer and host of The New Mithraeum podcast @andreu.abuin.
Conversation with Peter Mark Adams on the occasion of the release of Ritual & Epiphany in the Mysteries of Mithras, by Theion Publishing.
Restoring the Mysteries: A Conversation with Peter Mark Adams on his new book ‘Ritual & Epiphany in the Mysteries of Mithras’.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
This sculpture of Mithras being born from a rock is unique in the position of the hands, one on his head, the other on the rock.
This sculpture of Cautes holding a bull’s head was found in 1882 in Sarmizegetusa, Romania.
This monumental head of Antionchus I of Commagene is in Nemrut Dağı together with other representations of the Greco-Iranian king.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
Small white marble altar made in honour of Mithras found at San Albín, Mérida.
This marble plaque was made by a Pater and priest Lucius Septimius Archelaus of Mithras for him, his wife and his freedmen and freedwomen.
