Your search Nicopolis ad Istrum gave 1447 results.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
Exploring religion, rituals, archaeological insights, and historical impact of the Cult of Mithras in the Danubian provinces.
The mithraic relief of Konjic shows a Tauroctony in one side and a ritual meal in the other.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
The Mithraeum of London, also known as the Walbrook Mithraeum, was contextualised and relocated to its original site in 2016.
This very fine relief of Mithras killing the bull was discovered in 2014 in Germán, near Sofia, Bulgaria, and is now housed in the Sofia History Museum.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The Mithraeum of Visentium, near Capodimonte in Viterbo, was carved grotto-style into a tuff cliff overlooking the waters of Lake Bolsena, just a few dozen metres away.
The Mithraeum of Sutri was built inside a rocky hill that also hosted the Roman theatre of the city.
The Mithraeum was inserted into the basement of the basilica-theater by the 3rd century.
This dedicatory inscription by Aurelius Seleucus, found in Cilicia, aligns with Plutarch’s account of Cilician pirates performing foreign sacrifices and secret rites of Mithras.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
This plaque, located on the western staircase of the Palace of Darius, mentions the god Mithra together with Ahura Mazda as protectors of King Artaxerxes III Ochus.
The Mithraeum of Marino presents an unusually elongated structure with depictions from the Severian period.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
