Your search Robert Gordon Wasson gave 51 results.
Corpus Inscriptionum et Monumentorum Religionis Mithriacae (or CIMRM) is a two volume collection of inscriptions and monuments relating primarily to the Mithraic Mysteries.
Ce livre, qui intègre les recherches et les découvertes les plus récentes, expose, avec clarté et rigueur, le dossier complexe et fascinant des Mithriaca.
Ce 4e fascicule de Mithriaca concerne un très curieux monument exhumé au XVIe siècle sur le site d'un Mithraeum qu'on localise tout près de l'église S. Maria in Domnica, non loin de S. Stefano Rotondo où un autre spelaeum fut mis au jour en 1973…
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
Actes du 2e Congrès International, Téhéran, du 1er au 8 septembre 1975. (Actes du Congrès, 4). Éditions Brill, collection. Acta Iranica.
The author of this ingenious memoir believes that the Greek myth of Orion is the very basis of Roman Mithriacism. His starting point is an astronomical interpretation of tauroctony.
Proceedings of the International Seminar on the 'Religio-Historical Character of Roman Mithraism, with Particular Reference to Roman and Ostian Sources'. Rome and Ostia 28-31 March 1978
Papers of the international conference "Roman Mithraism: the Evidence of the Small Finds". Tienen 7-8 November 2001.
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
The Mithraeum of the Seven Spheres (Sette Sfere) is of great importance for the understanding of the cult, because of its black-and-white mosaics depicting the planets, the zodiac and related elements.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
There is no consensus on the authenticity of this monument erected by a certain Secundinus in Lugdunum, Gallia.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
This heliotrope gem, depicting Mithras slaying the bull, dates from the 2nd-3rd century, but was reused as an amulet in the 13th century.
Laurent Bricault has revolutionised Mithraic studies with the exhibition The Mystery of Mithras. Meet this professor in Toulouse for a fascinating look at the latest discoveries and what lies ahead.
The small medallion depicts three scenes from the life of Mithras, including the Tauroctony. It may come from the Danube area.
