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This terra sigillata was found in 1926 in a grave on the Roman cemetery of St. Matthias, Trier. An eyelet indicates that it could have been hung on a wall.
The mithraic relief of Konjic shows a Tauroctony in one side and a ritual meal in the other.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
The Mühltal Mithraic crater was discovered among the artefacts of a mithraeum found in Pfaffenhoffen am Inn, Bavaria.
Franz Cumont considers the bas relief of Osterburken ’the most remarkable of all the monuments of the cult of Mithras found up to now’.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
Mithraic Influence on Early Christian Symbolism and Church – Architecture
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The Mithraeum of the Seven Spheres (Sette Sfere) is of great importance for the understanding of the cult, because of its black-and-white mosaics depicting the planets, the zodiac and related elements.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
This is the first known inscription that includes Phanes alongside Mithras found in a Mithraic context.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
It is indeed surprising to see Mithras represented in the Middle Ages, as we tend to assume that paganism was forgotten at an early date. Well, some representations of Mithras killing the bull in key locations in Europe prove the opposite…
Found in Illmitz, Austria, in 1959, this altar was dedicated to the unconquered god Mithras by a certain Aelius Valerianus.
The Cautopates of Bordeaux stands as usual with his legs crossed and arms down.
The Mithraeum of Schwarzerden, also know as Mithräum von Reichweiler, was carved on the rock.
This inscription was commissioned by a family of priests of the invincible god Mithras.
