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Small triangular slab bearing a Latin inscription referring to Sol Invictus and to a sacred cave, probably dating to the 4th century AD.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
The Hekataion of Sidon, which depicts Hekate in her trimorphic form surrounded by three dancing girls, is the only example found to date in connection with the Mithraic cult.
I live in Portland Oregon and spend my time designing and crafting masks, fabrics and regalia for ritual spaces and seasonal processions.
In this conversation with Lenni George, on the occasion of the release of her latest book ‘The Rites of Hekate: From the Dirt to the Divine,’ we explore that shifting presence: a goddess of thresholds, of illumination and obscurity, of descent and return…
Lenni George on Hekate’s development across ancient traditions, from mystery cults to magical practice and philosophical thought.
The Mithraeum I in Stockstadt contained images of Mithras but also of Mercury, Hercules, Diana and Epona, among others.
An Algerian chemistry student interested in roman culture I hope to be able to explore Mithras culture in my country because of the vast and important rule of this religion in my city tiddis
The Rites of Hekate is a personal yet deeply rooted academic account of the current understanding of this ambivalent goddess, presented as an arcane and liminal archetype.
Marble statue from Intercisa representing a lion holding an indistinct animal beneath its forepaws. Found in a vineyard, the piece is now in the Hungarian National Museum.
Small votive altar in white limestone from Aquae Mattiacae, dedicated to Deo Invicto by a miles pius. The top preserves the head of Cautes with his raised torch.
A small limestone altar from Bandorf near Oberwinter dedicated to Deo Invicto Regi. Found in an isolated structure not resembling a mithraeum, its function remains uncertain.
Small limestone altar from Aquincum, Budapest, dedicated to Petra Genetrix.
A limestone lion holding a flowing urn, discovered at the entrance of the Mithraeum of Les Bolards, reflects the ritual significance of water within the cult of Mithras.
This inscription mentions a Pater for the first known time.