Your search San Gemini gave 586 results.
This marble altar was found ’in the street called di Branco’, behind the palace of the Cardinal of Bologna, in Rome.
The v in this small altar found in Novaria has been interpreted by some commentators as qualifying Mithras as victorious.
Two limestone sculptures depicting a recumbent lion and a lioness stood near the entrance of the Mithraeum of Fertőrákos, positioned at the threshold of the sanctuary.
This altar was dedicated by a certain Marcus Aurelius Decimus to Sol Mithras and other gods in Diana, Numibia, present Argelia.
This inscription was commissioned by a family of priests of the invincible god Mithras.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
The Mithraeum of Sidon may have escaped destruction because the Mithras worshippers walled up the entrance to the underground sanctuary.
White marble statue found near the Scala Santa in Rome depicting Mithras as bull-slayer, accompanied by the dog, serpent and scorpion, with the bull’s tail ending in ears of grain.
This altar dedicated to Sol Invictus Mithras by a certain Septimius Zosimus was found in the Basilica of San Martino ai Monti in Rome.
The Mithraeum of Stix-Neusiedl was discovered in the summer of 1816. Although the structure of the sanctuary is unknown, several associated monuments are preserved today in Vienna.
From the late first century CE, Mithras spread across the Roman Empire, leaving more than 130 sanctuaries and nearly 1,000 inscriptions. This volume offers a rigorous synthesis that renews our understanding of this enigmatic cult.
Rebecca Jelbert explores Michelangelo’s major works through the lens of hidden structures, symbolic systems, and esoteric traditions. It considers how themes associated with Mithras and other mystery cults may illuminate new interpretative possibilities within Renaissance art…
The Mithraeum of Regensburg represents the earliest of the nine Mithraic sanctuaries so far documented in Bavaria, Germany.
These two fragments of a sandstone relief were walled into a house on the market square in Besigheim.
Statue in yellow sandstone found in the pit of the Mithraeum of Dieburg, showing Mithras standing beside an altar with bow and arrow, accompanied by a vase and associated with the water miracle.
Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.
