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Several iron fragments found in the second mithraeum of Güglingen may have been used during mithraic ceremonies.
White marble relief depicting Mithras killing the bull, found broken in two parts in 1872 near Salita delle Tre Pile in Rome.
The Mysteries of Mithras is an independent Initiatic Order which is inspired by and uses the allegory of the lost and ancient Mithraic Mysteries also known as Mithraism a previously influential Roman Cult of the same name.
The Mithraeum of Els Munts, near Tarragona, is one of the largest known to date.
The vessel to burn incense from the Mithraeum of Dieburg is similar to those found in other Roman cities of Germany.
This altar to Deo Invicto was found during the excavation of the Monastero Delle Benedettine di Santa Grata in Bergamo, with a bronze calf’s head on top.
This low relief on an altar of Mithras killing the bull was found in a church in Pisignano, south of Ravenna.
Several fragmentary Mithraic remains dedicated by a certain Agatho in the Caelius suggest that a Mithraeum existed in the area.
This relief of Mithras slaying the bull was erected in Piazza del Campidoglio, moved to Villa Borghese and is now in the Louvre Museum.
On the occasion of the discovery of a Mithraeum in Cabra, Spain, we talk to Jaime Alvar, a leading figure in the field of Mithraism. With him, we examine the testimonies known to date and the peculiarities of the cult of Mithras in Hispania.
Maarten Vermaseren acquired this rosso antico marble of Mithras slaying the bull in 1961.
The discovery of the Mithraeum of Tarquinia is due to the Department for Protection of Cultural Heritage of the Carabinieri, who noticed some clandestine excavations near the Ara della Regina.
This temple of Mithras on the north side of the Capitoline Hill in Rome no longer exists.
The intarsium of Sol found in the Mithraeum of Santa Prisca is composed of several varieties of marble.
Between the 1st and 4th centuries, Mithraism developed throughout the Roman world. Much material exists, but textual evidence is scarce. The only ancient work that fills this gap is Porphyry’s intense and complex essay.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
