Your search Stefano Arcella gave 17 results.
A study that re-examines Roman Mithraism through epigraphic evidence and comparative analysis, exploring its links with Orphism, Platonism, and Iranian traditions, and presenting the cult of Mithras as a solar path of individual spiritual awakening between East and West…
Interprets Mithraism as an initiatory path of inner transformation, reading its myths and rites as symbolic maps of consciousness rather than as historical narratives, and includes an appendix with the Ritual of Mithra from the Great Magical Papyrus of Paris…
A study of Roman Mithraism that combines historical evidence with a symbol-centred interpretive approach, exploring Mithraic iconography, ritual experience, and the cult’s encounter with Christianity in the Late Empire.
Lissa-Caronna details the excavation and findings of a mithraeum beneath San Stefano Rotondo, focusing on its decor, sculptures, and rituals.
The sculpture of Mithras rock-birth from Santo Stefano Rotondo bears an inscription of Aurelius Bassinus, curator of the cult.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
These two parallel altars to the diophores were dedicated by the Pater and a Leo from the Mithraeum of S. Stefano Rotondo.
Ce 4e fascicule de Mithriaca concerne un très curieux monument exhumé au XVIe siècle sur le site d'un Mithraeum qu'on localise tout près de l'église S. Maria in Domnica, non loin de S. Stefano Rotondo où un autre spelaeum fut mis au jour en 1973…
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.
The Mitreo dei Castra Peregrinorum was discovered under the church of Santo Stefano Rotondo in Rome.
The head was part of a stucco relief of the Tauroctony found under the church of Santo Stefano Rotondo in Rome
This low relief on an altar of Mithras killing the bull was found in a church in Pisignano, south of Ravenna.
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
In this relief of Mithras as bull slayer, recorded in 1562 in the collection of A. Magarozzi, Cautes and Cautopates have been replaced by trees still bearing the torches.
