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This marble gives some details of the reconstruction of the Virunum Mithraeum.
The Tauroctony of Saarbourg (Sarrebourg, ancient Pons Sarravi), France, contains most of Mithras deeds known in a single relief.
Mithras rock-born from Villa Giustiniani was holding a bunch of grapes in its raised right hand instead of a torch, probably due to a restoration.
This painting depicts an Iranian knight holding in a chain a black naked figure with two heads.
The Mithraeum of Caernarfon, in Walles, was built in three phases during the 3rd century, and destroyed at the end of the 4th.
The Mitreo dei Castra Peregrinorum was discovered under the church of Santo Stefano Rotondo in Rome.
The floor of the central aisle of the Mithraeum of the Footprint in Ostia has a mosaic depicting a snake and a footprint.
A votive altar referring to the cult of Mithras was found more than forty years before the site was excavated and the Mithraeum discovered.
The temple of Mithras in Fertorakos was constructed by soldiers from the Carnuntum legion at the beginning of the 3rd century AD.
The Mithraeum of the terms of Mithras takes its name from being installed in the service area of the Baths of Mithras.
The Roman villa of Can Molodell had a sanctuary that has been related to the cult of Mithras.
This marble slab found near the Casa de Diana in Ostia bears two inscription with several names of brothers of a same community
The dedicator of this marble basin could be the same person who offered the sculpture of Mithras slaying the bull in the Mitreo delle Terme di Mitra.
The Kempraten Mithraeum was unexpectedly discovered during the 2015 excavations near the vicus.
Mithras and Sol share a sacred meal accompanied by Cautes and Cautopates on a relief found in a cemetery from Croatia.
The sculpture of Mithras rock-birth from Santo Stefano Rotondo bears an inscription of Aurelius Bassinus, curator of the cult.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
The altar of Sol from Inveresk, Scotland, was pierced, probably to illuminate part of the temple with a particular effect.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
The dedicator of this altar was a slave in the service of a high official, the prefect Gaius Antonius Rufus, known from other inscriptions.
