Your selection in monuments gave 64 results.
This marble tablet found at Portus Ostiae mentions a pater, a lion donor and a series of male names, probably from a Mithraic community.
This relief of Mithras slaying the bull incorporates the scene of the god carrying the bull and its birth from a rock.
The lion-headed marble from Muti's gardens has a serpent entwined in four coils around his body.
The Tauroctony from Landenburg, Germany, shows a naked Mithras only accompanied by his fellow Cautes.
The lion relief from Nemrut Dag has the moon and several stars over his body.
Two marble statues of Cautes and Cautopates discovered in the Mithraeum of Rusicade, accompanied by symbolic animals including a lion, scorpion, dolphin and bird.
This short dipinto pays homage to the Lions and the Persians, the 4th and 5th Mithraic degrees.
Bronze fibula from Petronell-Carnuntum, depicting a standing lion-headed Aion.
Two limestone sculptures depicting a recumbent lion and a lioness stood near the entrance of the Mithraeum of Fertőrákos, positioned at the threshold of the sanctuary.
Exceptional sculpture of a lion devouring a bull’s head founded in 1894 in Carnuntum, Pannonia.
Solis invicti Mithrae studiosus astrologiae who was at the same time ’caelo devotus et astris’.
A naked Mithra emerges from the cosmic egg surrounded by the zodiac, as always carrying a torch and a dagger.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
This lion-headed figure from Nida, present-day Frankfurt-Heddernheim, holds a key and a shovel in his hands.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
The rich mosaics of the Mithraeum of the Seven Spheres include the the signs of the Zodiac.
The lion-headed god is standing on a globe encicled by two crossed bands on which five pearls.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
