Consult all cross-database references at The New Mithraeum.
The image of the god Arimanius to which this monument refers has not yet been found.
Mithras and Sol share a sacred meal accompanied by Cautes and Cautopates on a relief found in a cemetery from Croatia.
Another sculpture of Mithras rock-birth from the Mithraeum of Victorinus, in Aquincum.
These two parallel altars to the diophores were dedicated by the Pater and a Leo from the Mithraeum of S. Stefano Rotondo.
The sculpture of Mithras rock-birth from Santo Stefano Rotondo bears an inscription of Aurelius Bassinus, curator of the cult.
The vase bears an inscription to the god but also 'king' Mithras.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
The monument is engraved with an inscription by Cresces, the donor.
As this short inscription indicates, Aemilio Epaphorodito was both Pater and priest of the Mithraeum of the Seven Spheres.
The sculptures of Cautes and Cautopates from the Mitreo del Palazzo Imperiale may have been reused from an older mithraeum in Ostia.
The Isis of Merida is covered by a long dress that reaches down to her feet.
The sculpture of the solar god is signed by its author, Demetrios.
The Mithraic fellow P. Aelius Urbanus mentions that he built the sacred area of the Mithraeum Circo Massimo.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
This small bronze tabula ansata was dedicated to Mithras by two brothers, probably not related by blood.
The Mithraic stele from Nida depicts the Mithras Petrogenesis and the gods Cautes, Cautopates, Heaven and Ocean.
This altar was dedicated by a son to his father, one of the few Patres Patrum recorded in the western provinces.
The dedicator of this altar was a slave in the service of a high official, the prefect Gaius Antonius Rufus, known from other inscriptions.
