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This altar is dedicated to the god Sol Invictus Mithras by a certain Florus, a veteran of the Legio III Augusta.
This altar found in Lambèse, now Tazoult, Algeria, bears the inscription of a certain Celsianus for the health of two men to the god Sol Unconquered Mithras.
The v in this small altar found in Novaria has been interpreted by some commentators as qualifying Mithras as victorious.
These fragments of a cult relief of Mithras were found at the Mithraeum II of Ptuj, Slovenia.
This altar dedicated to Helios Mithras by a certain Sagaris was repurposed in the masonry of Palazzo Bagnoli, Venosa, Italy.
Mithraic stele, from Alba Iulia, Romania, with inscription.
This altar was erected by Hermadio, who also signed other monuments in Dacia and even in Rome.
This inscription by a certain Memmius Placidus is the first ever found signed by a Heliodromus.
This altar was dedicated by a certain Marcus Aurelius Decimus to Sol Mithras and other gods in Diana, Numibia, present Argelia.
This altar for the completion of a temple to Sol Invictus by Flavius Lucilianus was found in Fossa, Italy.
Marble votive altar with inscription to Mithras, featuring coiled, fan-like motifs above the text and associated with the statio Enensis.
This second altar discovered to date near Inveresk includes several elements unusual in Mithraic worship.
This altar to Invictus Mythra (sic) was found in 1867 in ancient Maros Portum, now Sighișoara, Romania.
In 1852, Károly Pap, a naval captain, unearthed several Mithraic monuments in his garden at Marospartos, including this altar.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
This enigmatic fresco on top of the main tauroctony shows Mithras killing the bull, accompanied by Cautes and Cautopates, surrounded by burning altars and cypress trees.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.