The torchbearers are at work. Expect the occasional flicker while we tend the grotto.
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Marble group of Mithras slaying the bull, formerly sold by Antiquarium Ltd., New York.
Mithras birth from the knees upwards emerging from a rock and wearing as usual a Phrygian cap.
Another sculpture of Mithras rock-birth from the Mithraeum of Victorinus, in Aquincum.
This damaged relief of Mithras killing the bull found in 1804 and formerly exposed at Gap, is now lost.
This sculpture of Mithras killing the sacred bull bears an inscription that mentions the donors.
The relief of Mithras killing the bull from the Jajce Mithraeum is walled into the cult niche and surmounted by a roof.
This relief of Mithras as a bullkiller found at Vratnitsa, near Lisicici in northern Macedonia, was signed by a certain Menander Aphrodisieus.
These fragments of a cult relief of Mithras were found at the Mithraeum II of Ptuj, Slovenia.
In the Tauroctony of Hermopolis, Cautes and Cautopates are placed over two columns at each side of the sacrifice.
The relief of Mithras slaying the bull found on the Esquiline Hill includes two additional scenes with Mithras and two other figures.
The relief of Mithras being born from the rock of the Esquiline shows the young god naked, as usual, with a torch and a dagger in his hands.
This black marble of Mithras killing the Bull has belonged to the sculptor Carlo Albacini.
The colossal head has been identified as a solar god, Apollo-Mihr-Mithras-Helios-Hermes.
Relief of Mithras killing the bull with an inscription from a certain Aurelius Macer who dedicates it to Sol Invictus Mithras.
This simple relief of Mithras killing the bull without his companions Cautes and Cautopates was found in the so-called Mithraeum of the Esquilino, Rome.
White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
A naked Mithra emerges from the cosmic egg surrounded by the zodiac, as always carrying a torch and a dagger.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
