The torchbearers are at work. Expect the occasional flicker while we tend the grotto.
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Fresco of Mithras found in an arched niche above the right bench of the Baths of Caracalla’s Mithraeum in Rome.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.
A serpent emerging from a umbilicus at the side of the stele coils over Mithras naked body.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
The low relief of Bourg-Saint-Andéol depicting Mithras killing the bull has been chiseled on the rock.
This painting depicts an Iranian knight holding in a chain a black naked figure with two heads.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
In one of Hawarte’s frescoes, the rock birth of Mithras is preceded by Zeus and followed by the young Persian god suspended from a cypress tree.
Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
Continuation of the frescoes depicting an initiation into the Mithras cult, where two attendants present a repast to Mithras and Sol.
Even if only a few fragments remain, it is very likely that the main niche of the Mitreo di Santa Prisca contained the usual representation of Mithras killing the bull.
