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Robert Turcan highlights various examples of the philosophical interpretation, mainly Platonic, of the figure and cult of Mithras.
Second volume of Vermaseren's series Études préliminaires aux religions orientales dans l'Empire romain, Mithriaca, dedicated to a small Mithraic sanctuary on the island of Ponza in the Tyrrhenian Sea.
Catalogue de l'exposition tenue au Musée d'Aquitaine du 15 février 1988 au 16 mai 1988 sur le site de Parunis.
The Dionysian themed frescos of Pompeii’s Villa of the Mysteries constitute the single most important theurgical narrative to have survived in the Western esoteric tradition.
The links between Egypt and Greece are strong and far-reaching, and although the zoomorphic gods frightened Herodotus, the fact remains that the two cultures continued to influence each other.
Ce livre présente les religions de la Méditerranée ancienne – grecque, romaine, phénicienne et punique, hébraïque et juive, mésopotamienne, égyptienne – en mouvement. Au fur et à mesure de ces histoires de dieux en voyage…
Peter Mark Adams’ The Game of Saturn: Decoding the Sola-Busca Tarocchi is the first full length, scholarly study of the enigmatic Renaissance masterwork known as the Sola-Busca tarot.
India, beyond all other countries on the face of the earth, is preeminently the home of the worship of the Phallus—Linga puja. It has been so for ages and remains so still.
Cet ouvrage propose une étude d’ensemble du culte de Mithra en Afrique romaine. S’appuyant sur un rigoureux examen croisé des sources épigraphiques, archéologiques et littéraires, il restitue l’histoire et les spécificités de ce culte à mystères sur le sol africain…
The Roman settlement overlooked a passage between the Hodna and the Sahara via the Aïn Rich plain and the valley of the Oued Chaïr, between the Ouled-Naïl and Zab mountains.
In his first book, Fahim Ennouhi sheds light on the cult of Mithras in Roman Africa. A marginal and elitist phenomenon, confined to restricted circles and largely absent from local religious dynamics, yet revealing.
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
Nouveau video de Mysteria dédié au culte de Mithra à partir de l'exposition Le mystère de Mithra au Musée Saint Raymond.
The Mithraeum of Saara, Syria, has been identified through the deciphering of the remains of the iconographic programme on its arch.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
This remarkable Greek marble relief of Mithras killing the bull was discovered in 1705 and remained in private collections until it was bought by the Louvre.
Porphyry states that the Mithraists “perfect their initiate by inducting him into a mystery of the descent of souls and their exit back out again, calling the place a ‘cave’.”
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
