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For the first time, a Mithraeum has been discovered in Corsica, at the site of Mariana, Lucciana (Haute-Corse).
This limestone relief of Mithras killing the bull bears an inscription by a certain Flavius Horimos, consecrated in a ’secret forest’ in Moesia.
The Mithraic vase from Colonia Claudia Ara Agrippinensium in Germany includes Sol-Mithras between Cautes and Cautopates, as well as a serpent, a lion and seven stars.
The relief of Dieburg shows Mithras riding a horse as main figure, surrounded by several scenes of the myth.
Fragment of a double-sided white marble Mithraic relief from San Zeno, found near the Castello di Tuenno, depicting elements of the tauroctony cycle and bearing a dedication to Deo Invicto Mithrae.
Greek graffiti scratched on wall plaster, recording a list of everyday expenses from Dura-Europos, Roman Syria.
This altar found at ancient Burginatum is the northernmost in situ Mithraic find on the continent.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
The altar of Ptuj depicts Mithras and Sol on the front and the water miracle on the right side.
The Mithraeum II in Stockstadt was in fact the first one known built in the vicus. It was destroyed by fire around 210.
Fragmentary sandstone relief from Rückingen showing a male figure walking right and holding a kantharos. Traces on the chest may indicate a torques or shoulder-cape.
In these two key passages, Justin Martyr interprets Mithraic rituals and myths as demonic parodies of Christ’s incarnation, the Eucharist, and biblical revelation.
The Mithraeum of Sutri was built inside a rocky hill that also hosted the Roman theatre of the city.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
Terracotta krater from the southern part of the Friedberg Mithraeum, discovered in 1849. The vessel is decorated in relief with serpents, a scorpion and a ladder-like motif.
In Letter 107 to Laeta, Jerome combines a pastoral reflection on conversion with an account of the urban prefect Gracchus, who ordered the destruction of a Mithraic cave in Rome, listing the seven grades of initiation associated with the cult.
This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.
Roman relief from a sanctuary on the Janiculum Hill (Rome), showing a male figure bound by a serpent coiled seven times.
In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
