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Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
This enigmatic fresco on top of the main tauroctony shows Mithras killing the bull, accompanied by Cautes and Cautopates, surrounded by burning altars and cypress trees.
This painting depicts an Iranian knight holding in a chain a black naked figure with two heads.
The second statue of Mithras rock-birth was found in the Mitreo di Santo Stefano Rotondo shows a childish Mitras emerging from the rock.
In one of Hawarte’s frescoes, the rock birth of Mithras is preceded by Zeus and followed by the young Persian god suspended from a cypress tree.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
An inscription by a certain Aurelius Rufinus reveals the existence of a Mithraeum on the island of Andros, but it has not yet been found.
Epigraphic monuments reveal the presence of a Mithraeum in the ancient municiple of Carsulae, in Umbria.
The Felicissimo Mithraeum has a floor mosaic depicting the seven mithraic grades.
Lenni George on Hekate’s development across ancient traditions, from mystery cults to magical practice and philosophical thought.
On what Hekate’s name may or may not tell us, and why the uncertainty matters.
Limestone altar from the Trier baths, carved on four sides with a lion and serpent, flanked by Sol and Luna, and likely linked to a Mithraic context involving Hekate.
This marble relief, found in Sisak, Croatia, shows Mithras killing the bull in a circle of corn ears, gods and some scenes from the Mithras myth.
Limestone tauroctony relief from Carnuntum with traces of polychromy and a graffito on the bull’s neck. The inscribed base was carved separately.
