Your search Boulogne-sur-mer (Pas-de-Calais) gave 667 results.
The two fellows of Mithras from Marquise, Boulogne-sur-Mer, are fully naked but for the cloak and the Phrygian cap.
This monument is too fragmentary to recod it definitely as a Mithras-monument.
Several authors read the name Suaemedus instead of Euhemerus as the author of this mithraic relief from Alba Iulia, Romania.
The Aion-Chronos of Mérida was found near the bullring of the current city, once capital of the Roman province Hispania Ulterior.
The statue was dedicated to Mercury Quillenius, an epithet used to refer to a Celtic god or the Greek Kulúvios.
'Hail to Kamerios the Pater' can be read on one of the walls of the mithraeum at Dura Europos.
L'école mithriaque représente, à nos yeux, une source riche et féconde d'enseignements relatifs à la conduite de la vie. Il nous a semblé aussi que la psychothérapie actuelle se trouverait enrichie par l'étude des données des "psychodrames"…
Boulogne-sur-Mer; Picard: Boulonne-su-Mér; Dutch: Bonen; Latin: Gesoriacum or Bononia, often called just Boulogne, is a coastal city in Northern France.
This scene of a feast from Mérida shows three persons at a table with other people standing beside them, one holding a bull’s head on a plate.
This altar is dedicated to the birth of Mithras by a frumentarius of the Legio VII Geminae.
The small Mithraic altar found at Cerro de San Albin, Merida, bears an inscription to the health of a certain Caius Iulius.
The lion-headed figure, Aion, from Mérida, wears oriental knickers fastened at the waist by a cinch strap.
The statue of Mercury in Merida bears a dedication from the Roman Pater of a community in the city in 155.
The sculpture of Oceanus in Merida bears an inscription by the Pater Patrorum Gaius Accius Hedychrus.
The lack of attributes and its decontextualisation prevent us from attributing a specific Mithraic attribution to this small Venus pudica from Mérida.
This standing sculptural figure from Mérida appears to carry the serpent staff, characteristic of the medicine god Aesculapius.
The Venus pudica of Merida stands next to the young Amor riding a dolplhin.
By reading Orphic theology together with Eleusinian ritual practice, the mysteries emerge as a structured mystagogy of transformation: a disciplined passage from forgetfulness (Lethe) to knowledge (aletheia), from mortality to participation in the divine.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
This small monument bear the inscriptions of a certain Caelius Ermeros, antistes at the Mithraeum of the Painted Walls.
