Your search Bu Njem gave 1882 results.
The Mithraeum of Sutri was built inside a rocky hill that also hosted the Roman theatre of the city.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.
Sandstone relief of Mithras as bull-slayer, found at Petronell in 1932, with dog, serpent and scorpion, traces of polychromy preserved, now in the Museum Carnuntinum.
Fragmentary relief corner depicting Mithras as bull-slayer, preserving the bull’s hindquarters, scorpion, serpent and part of a torchbearer, with a partial inscription.
The article examines two recently discovered Mithraic representations of Cautes from Alba Iulia, focusing on a rare iconographic type showing the torchbearer with a bucranium.
Statue of Cautes from Bodobrica, discovered around 1940, depicting the torchbearer standing before a tree or rock and associated with a bucranium.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
The Mithraeum of the Crypta Balbi was locted in the middle of a densely populated insula near the theatre of Cornelius Balbus.
This tauroctony relief is distinguished by the rare depiction of Tellus reclining beneath the bull.
An anonymous late-antique Christian poem, traditionally attributed to Pseudo-Paulinus of Nola (Poema 32, vv. 109–111), that ridicules pagan cults and presents Mithras, Isis, and Serapis as gods of concealment, contradiction, and unstable forms rather than light…
The bronze bears the dedication of a restoration of a Mithraeum carried out in 183.
The image of Mithras killing the bull, found near Walbrook, is surrounded by a Zoadiac circle.
Fritz Saxl interprets Mithraism primarily through its images, proposing the cult as a visual cosmology structured around the descent, sacrifice and re-ascent of light, developed in close dialogue with Aby Warburg and Erwin Panofsky.
Le présent volume les réunit en les assortissant de deux contributions inédites sur l’échelle mithriaque et sur le dieu au serpent des stèles danubiennes.
A conversation between Peter Mark Adams and Christophe Poncet on the esoteric tarot, in relation to the elite and Saturnian Sola-Busca tarocchi and the popular and luminous Tarot de Marseille.
Le groupe caractéristique « lion, serpent, cratère » marque le rapport avec le culte mithriaque, car comme nous croyons l’avoir montré, ce groupe ne symbolise pas la lutte des éléments, terre, eau et feu, mais la participation des animaux-attributs au sacrifice, par Mithra…
Inscription recording the dedication of a mithraeum at Tiddis by a group of cultores who built the sanctuary at their own expense.
Rich relief on display at the Virginia Museum of Fine Art showing Mithras sacrificing the bull accompanied by Cautes and Cautopates.
The Mithraeum of Serdica was found in the fortified area of the ancient city of Serdica, now Sofia, Bulgaria.
