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The first and the third of the following essays written by Julius Evola are dedicated to the mysteries of Mithras, while the second essay concerns itself with the Roman Emperor, Julian.
Guides, maps and additional information on the Basilica, the Mithraeum and the archaeological area of San Clemente.
Archaeologists discovered the 20th temple dedicated to Mithras in Ostia during the restoration of the domus del capitello di stucco in 2022.
The head was part of a stucco relief of the Tauroctony found under the church of Santo Stefano Rotondo in Rome
The Mithraeum of Santa Maria Capua Vetere preserves a remarkable series of frescoes depicting scenes from the initiation rites.
Solis invicti Mithrae studiosus astrologiae who was at the same time ’caelo devotus et astris’.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This is the first of several fresco scenes depicting the initiation of a new member in a mithraic community, in Capua Vetere.
The vault of the Mithraeum in S. Capua Vetere is decorated with stars that have holes in their centers, which once held colorful glass decorations.
The marble statue of Cautes, found in the Mithraeum of Santa Prisca, was originally a Mercury.
Even if only a few fragments remain, it is very likely that the main niche of the Mitreo di Santa Prisca contained the usual representation of Mithras killing the bull.
The fragmented tauroctony of the Mitreo di Santa Prisca rests on the naked figure of a bearded man, probably Ocean or Saturn.
The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
The Mithraeum of Santa Prisca houses remarkable frescoes showing the initiates in procession.
Limestone tauroctony relief from Carnuntum with traces of polychromy and a graffito on the bull’s neck. The inscribed base was carved separately.
Bas-relief depicting a naked Sol leaning over his fellow Mithras while raising a drinking horn during the sacred feast.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
The Mithraeum under the Basilica of San Clemente made part of a notable Roman house.
The Mithraeum under and behind S. Prisca on the Aventine is without doubt the most important sanctuary of the Persian god in Rome.