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The image of the god Arimanius to which this monument refers has not yet been found.
These two parallel altars to the diophores were dedicated by the Pater and a Leo from the Mithraeum of S. Stefano Rotondo.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
The monument is engraved with an inscription by Cresces, the donor.
The Mithraeum Felicissimus has a floor mosaic depicting the seven mithraic grades.
The name of the Mithraeum of the Seven Gates refers to the doors depicted in the mosaic that decorates the floor, symbolising the seven planets through which the souls of the initiates have to pass.
The Mithraeum of Vulci is remarkable because of his high benches and the arches below them.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
The Mithraeum of the Animals was decorated with a mosaic depicting a naked man, a cock, a raven, an scorpion, a snake and the head of the bull.
In the irregular room opposite the sanctuary, the so-called Dominicum Clementis, a marble statuette, representing a bearded person as the good Shepherd was found.
In the room left to the entrance of the Mithraeum, there is a well, from which water runs through a pipe, which penetrates the wall and empties in a square basin.
Duo fragmenta marmorea facile eiusdem lapidis litteris detritis in ecclesiae pavimento inserta.
Pars superior parvae columnae marmoreae litteris saeculi secundi exeuntis vel tertii effossa ut videtur in Esquilino.
"Parte inferiore di un fusto di candelabro a guisa di tronco di palma uscente da un nascimento di foglie d'acanto; nel plinto in tre lati la inscrizione" (Lan- ciani in BAM 1875,248).
The left lower corner of a relief (H. 0.27 Br. 0.24 D. 0.08), discovered near S.
Marble relief (H. 0.43 Br. 0.85 D. 0.065), of which the left lower corner is missing.
