Your search Kadin Most gave 396 results.
Kadine-Most lies within the central Balkan region historically connected with Roman Moesia.
Small circular marble tauroctony relief from Kadine-Most in the Küstendil district, Moesia Superior, divided into two parts by a horizontal rim, with the bull-slaying in the upper and a figure or inscription in the lower.
White marble tauroctony relief fragment of unknown provenance, preserving the foremost part of the bull and part of Mithras as bull-slayer.
A collection of 284 coins, spanning from 254 to 395 AD and mostly of the fourth century, found in the Mithraeum at Pons Saravi (modern Saarburg) in Belgica, indicating that the sanctuary was founded under the Severan dynasty and destroyed in the fourth century…
Marble tauroctony relief fragment from near Radomir, Thracia, depicting the foremost part of the bull and the lower body of a cross-legged torchbearer.
Marble relief fragment from Acbunar, Moesia Inferior, preserving the foremost part of two horses — probably from a scene of Sol's biga — with remnants of an inscription below.
Marble tauroctony fragment from Ratiaria, Moesia Superior, preserving the lower part of Mithras's body with his right leg, the hindmost part of the bull, and the serpent below.
Limestone slab from a Roman settlement at Bijelo Polje north-east of Mostar, ancient area of Han Potoci in Dalmatia, found in 1902 and probably dating to the fourth century AD, depicting a Mithraic scene.
Small yellow sandstone fragment from the Mithraeum at Dieburg showing the foremost part of an animal, probably a dog or ram, with head turned right
Marble fragment from the Mithraeum at Sarmizegetusa, Dacia, preserving the hindmost part of the dog.
Foremost part of a white marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, showing the badly weathered bull-slaying with cross-legged Cautes raising the torch with both hands.
Fragment of a white marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, preserving the hindmost part of the bull to the left and the fragment of a small altar behind it.
Fragment of a bluish marble tauroctony from the Mithraeum at Sarmizegetusa, Dacia, preserving the left lower corner with the bull's hindmost part, the scorpion, and part of the Cautopates area.
Limestone tauroctony relief fragment from Salona, Dalmatia, preserving the foremost part of the bull, the dog, the serpent, and part of Mithras's dagger hand.
Foremost portion of a marble tauroctony relief from Mithraeum II at Ptuj, ancient Poetovio, preserving the bull's forepart, the serpent's head, the turning dog, and Cautes raising the torch with both hands.
Marble relief fragment from Mithraeum II at Ptuj, ancient Poetovio, preserving the hindmost part of the bull and the right leg of Mithras with the scorpion in its usual position.
Sandstone statue of a seated lion in attacking posture, from Mithraeum I at Heddernheim, ancient Nida, with its hindmost part lost
Altar inscription from Sahin invoking the most high heavenly god and Mithras in the Alawite Mountains.
The Marino Mithraeum preserves one of the most elaborate painted cycles of Mithras’ myth, combining the tauroctony, planetary symbolism and scenes from the god’s sacred narrative.
One of Roman Italy’s most important Mithraic sanctuaries, the Mithraeum at S. Maria Capua Vetere preserves a remarkable painted cycle of initiation scenes, offering rare visual evidence for the ritual life of Roman Mithaism.
