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Rebecca Jelbert explores Michelangelo’s major works through the lens of hidden structures, symbolic systems, and esoteric traditions. It considers how themes associated with Mithras and other mystery cults may illuminate new interpretative possibilities within Renaissance art…
The Mithraeum of London, also known as the Walbrook Mithraeum, was contextualised and relocated to its original site in 2016.
The altar of Sol from Inveresk, Scotland, was pierced, probably to illuminate part of the temple with a particular effect.
A study of Roman Mithraism that combines historical evidence with a symbol-centred interpretive approach, exploring Mithraic iconography, ritual experience, and the cult’s encounter with Christianity in the Late Empire.
A philosophical study of Iranian civilization that explores its spiritual foundations, including the legacy of Mithraic and Zoroastrian traditions, in order to reflect on Iran’s historical continuity and civilizational meaning.
Francesco Massa examines how the concept of mysteria was transformed in the Roman Empire, as Christian authors from the mid-second century CE adopted the language of mysteries to articulate their own rituals and beliefs, reshaping understandings of both Christian and traditional cults…
Interprets Mithraism as an initiatory path of inner transformation, reading its myths and rites as symbolic maps of consciousness rather than as historical narratives, and includes an appendix with the Ritual of Mithra from the Great Magical Papyrus of Paris…
The Mithraeum of Regensburg represents the earliest of the nine Mithraic sanctuaries so far documented in Bavaria, Germany.
For the first time, a Mithraeum has been discovered in Corsica, at the site of Mariana, Lucciana (Haute-Corse).
The altar with a Phrygian cap and a dagger from Trier was erected by a Pater called Martius Martialis.
This relief of Mithras tauroctonus and other finds were discovered in 1845 in Ruše, where a Mithraeum probably existed.
The Mithraic vase from Colonia Claudia Ara Agrippinensium in Germany includes Sol-Mithras between Cautes and Cautopates, as well as a serpent, a lion and seven stars.
This monument with an inscription by two individuals was found in the first mithraeum of Cologne, Germany.
The relief of Dieburg shows Mithras riding a horse as main figure, surrounded by several scenes of the myth.
These two fragments of a sandstone relief were walled into a house on the market square in Besigheim.
Fragment of a double-sided white marble Mithraic relief from San Zeno, found near the Castello di Tuenno, depicting elements of the tauroctony cycle and bearing a dedication to Deo Invicto Mithrae.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
The sculpture of the birth of Mithras in Florence included the head of Oceanus.