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White marble relief depicting Mithras killing the bull, found broken in two parts in 1872 near Salita delle Tre Pile in Rome.
Exploring religion, rituals, archaeological insights, and historical impact of the Cult of Mithras in the Danubian provinces.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
Exploring religion, rituals, archaeological insights, and historical impact of the Cult of Mithras in the Danubian provinces.
The mithraic relief of Konjic shows a Tauroctony in one side and a ritual meal in the other.
The epigrahy includes a mention of Marcus Aurelius, a priest of the god Sol Mithras, who bestowed joy and pleasure on his students.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
This very fine relief of Mithras killing the bull was discovered in 2014 in Germán, near Sofia, Bulgaria, and is now housed in the Sofia History Museum.
This unusual bronze bust of Sabazios features multiple symbolic elements, with Mithras depicted in his characteristic pose of slaying the bull, positioned just below Sabazios’ chest.
The base of the column bears an inscription that records the rebuilding of a palace at Ectabana ’by the favour of Ahuramaza, Anahita and Mithra’.
This monumental head of Antionchus I of Commagene is in Nemrut Dağı together with other representations of the Greco-Iranian king.
This dedicatory inscription by Aurelius Seleucus, found in Cilicia, aligns with Plutarch’s account of Cilician pirates performing foreign sacrifices and secret rites of Mithras.
The Mithraic relief from Baris, in present-day Turkey, shows what appears to be a proto-version of the Tauroctony, with a winged Mithras surrounded by two Victories.
This plaque, located on the western staircase of the Palace of Darius, mentions the god Mithra together with Ahura Mazda as protectors of King Artaxerxes III Ochus.
These fragments of a monumental relief of Mithras killing the bull from Koenigshoffen were reassembled and are now on display at the Musée Archéologique de Strasbourg.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
This relief of Mithras killing the bull includes various singular features specific to the Danubian area.
This remarkable marble statue of Mithras killing the bull from Apulum includes a unique dedication by its donor, featuring the rare term signum, seldom found in Mithraic contexts.
