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At Rome’s twilight, amid political upheaval and Christian ascendancy, Vettius Agorius Praetextatus embodied pagan intellect, virtue, and authority across senatorial, military, and mystical spheres.
The Mithraeum of Angers, excavated during a preventive operation and subsequently dismantled in 2010, yielded numerous objects, including coins, oil lamps, and a ceramic vessel bearing a votive inscription to the invincible god Mithras.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.
Certains mythes de l'Antiquité sont probablement basés sur des récits de « mort imminente » exactement les mêmes que les nôtres. Ainsi, s'expliqueraient le Paradis, l'Enfer, l'âme, le Dieu unique, nos divers «états d'âme»..…
This catalogue proposes, thanks to the contributions of some 75 international experts, a new synthesis for a complex and fascinating cult that reflects the remarkable advances in our knowledge in recent decades.
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
Corpus Inscriptionum et Monumentorum Religionis Mithriacae (or CIMRM) is a two volume collection of inscriptions and monuments relating primarily to the Mithraic Mysteries.
An inscription mentioning a speleum decorated by Publilius Ceionius suggests the location of a mithraeum in Cirta, the capital of Numidia.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
This white marble relief of Mithras killing the bull was found on the Esquilino near the Church of Saint Lucy in Selci in Rome.
There is no consensus on the authenticity of this monument erected by a certain Secundinus in Lugdunum, Gallia.
This inscription by a certain Ioulianos, found at the entrance to the Dolichenum at Dura Europos, bears an inscription to Zeus Helios Mithras et Tourmasgade.
This marble sculpture from Sicily, known as the Randazzo Vecchio or Rannazzu Vecchiu, contains some essential elements of the Mithraic Aion, the lion-headed god.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
This heliotrope gem, depicting Mithras slaying the bull, dates from the 2nd-3rd century, but was reused as an amulet in the 13th century.
Le Musée Saint-Raymond de Toulouse recherche un médiateur culturel diplômé en archéologie. Pour en savoir plus : [ref:6583260271549]
Laurent Bricault has revolutionised Mithraic studies with the exhibition The Mystery of Mithras. Meet this professor in Toulouse for a fascinating look at the latest discoveries and what lies ahead.
