Your search Radcliffe G. Edmonds III gave 451 results.
Laurent Bricault has revolutionised Mithraic studies with the exhibition The Mystery of Mithras. Meet this professor in Toulouse for a fascinating look at the latest discoveries and what lies ahead.
There are references to two places of worship from Dieburg, whereby the Mithraeum, discovered in 1926.
This temple of Mithras in Aquincum was located within the private house of the decurio Marcus Antonius Victorinus.
Several figures related to the Mysteries of Mithras are depicted on the mosaics of the Mithraeum of the Animals.
This intaglio portrays Mithra slaying the bull on one side, and a lion with a bee, around seven stars, and inscription, on the other.
There is no consensus as to whether the altar of the slave Adiectus from Carnuntum is dedicated to a Mithras genitor of light.
The relief of Aion from Vienne includes a naked youth in Phrygian cap holding the reins of a horse.
Aelius Nigrinus dedicated this small altar in Carnuntum to the rock from which Mithras was born.
A certain Secundinus, steward of the emperor, dedicated this altar to Mithras in Noricum, today Austria.
This inscription on an antique funeral urn mentions a certain high priest of Mithras.
The Mithraeum I of Ptuj contains the foundation, altars, reliefs and cult imagery found in it.
This small monument bear the inscriptions of a certain Caelius Ermeros, antistes at the Mithraeum of the Painted Walls.
This elliptical terracotta fragment from Ostia depicts Mithras as a bullkiller.
This relief of Mithras as bull slayer is surrounded by Cautes and Cautopates with their usual torch plus an oval object.
Three plaster altars within the main altar of the Mithraeum of Dura Europos, two of them with traces of fire and cinders.
The base of these sandstone reliefs bears an inscription referring to a certain Marcellius Marianus.
The Mithraeum I of Cologne is situated amid a block of buildings. It was impossible to narrowly determine its construction and lay-out.
This relief of Mithras as a bullkiller, probably found in Rome, has been part of the Palazzo Mattei collection since at least the end of the 18th century.
This sculpture, probably of Cautopates, now in the Musei Vaticani, was transformed into Paris.
This is one of the two torchbearers, probably Cautes, transformed into Paris, now in the British Museum.
