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Fresco of Mithras found in an arched niche above the right bench of the Baths of Caracalla’s Mithraeum in Rome.
This second relief depicting a phallus from Tiddis, Algeria, has been positioned alongside its counterpart atop pillars that greet visitors to the Mithras shrine.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
This lion-headed figure from Nida, present-day Frankfurt-Heddernheim, holds a key and a shovel in his hands.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
This monument representing Cautes with uncrossed legs was consecrated by a certain Anttiocus.
This enigmatic fresco on top of the main tauroctony shows Mithras killing the bull, accompanied by Cautes and Cautopates, surrounded by burning altars and cypress trees.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
Antiochus I of Commagene shakes Mithras hands in this relief from the Nemrut Dagi temple.
This scene from the frescoes of the Mitreo di Santa Maria Capua Vetere shows a kneeling, naked man surrounded by two other figures.
This painting depicts an Iranian knight holding in a chain a black naked figure with two heads.
In one of Hawarte’s frescoes, the rock birth of Mithras is preceded by Zeus and followed by the young Persian god suspended from a cypress tree.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
Fresco depicting an initiation scene from the Mithraeum of Capua Vetere.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
This scene of the main fresco of the Mithraeum Barberini seems to depict part of the initiation into the Mithraic Mysteries.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
Even if only a few fragments remain, it is very likely that the main niche of the Mitreo di Santa Prisca contained the usual representation of Mithras killing the bull.
