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This marble relief bears an inscription by Marcus Modius Agatho, who dedicated several monuments to Mithras on the Caelian Hill in Rome.
This silver amulet depicts Abraxas on one side and the first verses of the Book of Genesis in Hebrew on the other.
This relief of Mithras slaying the bull was erected in Piazza del Campidoglio, moved to Villa Borghese and is now in the Louvre Museum.
This monument was erected by a certain Publius Aelius Vocco, a solider of the Legio XXII Primigenia Pia Fidelis stationed in Mainz.
The temple contained hundreds of ceramic vessels and animal bones, which may indicated that a grand Mithraic feast was celebrated before its closing.
This syncretic amulet depicting Abraxas and the word MIΘPAZ was once displayed in the Cappello Museum of Venice.
On the occasion of the discovery of a Mithraeum in Cabra, Spain, we talk to Jaime Alvar, a leading figure in the field of Mithraism. With him, we examine the testimonies known to date and the peculiarities of the cult of Mithras in Hispania.
Découvrez les coulisses de la réalisation et du montage de l’exposition « Le mystère Mithra. Plongée au cœur d’un culte romain ».
This altar found at ancient Burginatum is the northernmost in situ Mithraic find on the continent.
Des rituels mystérieux, une hiérarchie gradée au sein d’un culte énigmatique, une société considérée pendant longtemps comme secrète au sein de l’Empire Romain…
The Mithraeum of Inveresk, south of Musselburgh, East Lothian, is the first found in Scotland, and the earliest securely dated example from Britain.
The Mithraeum of Lucretius Menander was installed in the early 3rd century in an alley to the east of a Hadrianic building named after the solar god temple.
Intervention de Nicolas Amoroso, commissaire de l’exposition Le Mystère Mithra.
This monument is the only one still available from the disappeared Mithraeum in Piazza S. Silvestro in Capite.
This shrine developed towards the end of 2nd century and remained active until beginning 4th.
The 'Mithraic cave' in the Gradische/Gradišče massif near St. Egidio contained vessels decorated with snakes and the remains of chicken bones and other animals that were consumed during Mithraic ceremonies.
The Mitreo dei Marmi Colorati takes its name after the discovery of a black-and-white mosaic of Pan fighting with Eros.
Peter Mark Adams: ‘The initiation was a frightening experience that caused some people to panic as a flood of otherworldly entities swept through the ritual space.’
Presentation on the Dionysian-themed frescoes of the Villa of the Mysteries by Peter Mark Adams on the occasion of the presentation of his book.
Twelve centuries separate the decline of Roman Mithraism from the dawn of Freemasonry. Twelve centuries during which the mysteries of Mithras have remained more secret than ever.
