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In the Mithraeum of S. Capua Veteres, Cautes stands between two laurel trees.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The Mithraeum of Hauarte or Hawarte, which preserves colourful frescoes, it’s the latest know and used.
The Mithraeum was housed in a cave. The vault is almost dome-shaped and in front of the cave there is enough space for a possible adjacent temple.
Epigraphic monuments reveal the presence of a Mithraeum in the ancient municiple of Carsulae, in Umbria.
The Hekataion of Sidon, which depicts Hekate in her trimorphic form surrounded by three dancing girls, is the only example found to date in connection with the Mithraic cult.
Lenni George on Hekate’s development across ancient traditions, from mystery cults to magical practice and philosophical thought.
On what Hekate’s name may or may not tell us, and why the uncertainty matters.
The Mithraeum of Sidon may have escaped destruction because the Mithras worshippers walled up the entrance to the underground sanctuary.
The Mithraeum I in Stockstadt contained images of Mithras but also of Mercury, Hercules, Diana and Epona, among others.
The Rites of Hekate is a personal yet deeply rooted academic account of the current understanding of this ambivalent goddess, presented as an arcane and liminal archetype.
A limestone lion holding a flowing urn, discovered at the entrance of the Mithraeum of Les Bolards, reflects the ritual significance of water within the cult of Mithras.
Dominique Persoons proposes a reconstruction of Mithraic ritual based on archaeological remains, frescoes, and zodiacal symbolism. He interprets the mithraeum as a liturgical microcosm governing the descent, purification, and ascent of souls.
A selection of texts gathered by Ernesto Milá that reinterprets Mithraism as an initiatory, solar, and heroic cult. It includes the so-called Great Magical Papyrus of Paris, translated and commented by Julius Evola and the Ur Group.
At Rome’s twilight, amid political upheaval and Christian ascendancy, Vettius Agorius Praetextatus embodied pagan intellect, virtue, and authority across senatorial, military, and mystical spheres.
From the late first century CE, Mithras spread across the Roman Empire, leaving more than 130 sanctuaries and nearly 1,000 inscriptions. This volume offers a rigorous synthesis that renews our understanding of this enigmatic cult.
A dark occult novel intertwining Templar mythology, ritual magic, and modern conspiracy, with Mithraic and gnostic motifs woven into its esoteric narrative. It explores the persistence of hidden initiatory currents in the contemporary world.
