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The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
This plaque was found in Mithraeum I at Stockstadt broken into pieces inserted between the blocks of the socle of the cult relief, in the manner of a votive deposit.
Sandstone base from Vetera (Xanten), Germania Inferior, with a relief of Cautes in Oriental dress holding a long burning torch.
Sandstone statue of Cautopates holding two downward-pointing torches, from the Ober-Florstadt Mithraeum.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
Sandstone relief of Mithras as bull-slayer, found at Petronell in 1932, with dog, serpent and scorpion, traces of polychromy preserved, now in the Museum Carnuntinum.
Fragmentary relief corner depicting Mithras as bull-slayer, preserving the bull’s hindquarters, scorpion, serpent and part of a torchbearer, with a partial inscription.
Statue of Cautes from Bodobrica, discovered around 1940, depicting the torchbearer standing before a tree or rock and associated with a bucranium.
The Mithraic vase from Ballplatz in Mainz depicts seven figures arranged in two narrative sequences, commonly interpreted in relation to initiation rites.
This fragmentary relief depicts Mithras killing the bull in the usual manner, remarkably dressed in oriental attire.
This tauroctony relief is distinguished by the rare depiction of Tellus reclining beneath the bull.
Small limestone stele, discovered at Apt in 1903. It depicts a standing torchbearer in the conventional Mithraic posture and dress, accompanied by a cock placed at his feet.
The image of Mithras killing the bull, found near Walbrook, is surrounded by a Zoadiac circle.
Rich relief on display at the Virginia Museum of Fine Art showing Mithras sacrificing the bull accompanied by Cautes and Cautopates.
Saul cutting the oxen to pieces poses as Mithras Tauroctonos in this painting, which adorns the mantelpiece of Henry II’s bedroom at the Château d’Écouen near Paris.
New evidence for the cult of Mithras and the religious practices of Legio IV Scythica at the Roman frontier city of Zeugma on the Euphrates.
Bronze statuette of Mithras in his characteristic bull-slaying pose, though only the god has been preserved.
This sculpture of Mithras killing the bull was dedicated to the ’incomprehensible god’ by a certain priest called Gaius Valerius Heracles.
The frescoes depict several figures dressed in different garments associated with the Mithraic degrees.
