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Exceptional sculpture of a lion devouring a bull’s head founded in 1894 in Carnuntum, Pannonia.
Several figures related to the Mysteries of Mithras are depicted on the mosaics of the Mithraeum of the Animals.
Relief of Mithras killing the bull with an inscription from a certain Aurelius Macer who dedicates it to Sol Invictus Mithras.
Solis invicti Mithrae studiosus astrologiae who was at the same time ’caelo devotus et astris’.
This simple relief of Mithras killing the bull without his companions Cautes and Cautopates was found in the so-called Mithraeum of the Esquilino, Rome.
White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
A naked Mithra emerges from the cosmic egg surrounded by the zodiac, as always carrying a torch and a dagger.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
The low relief of Bourg-Saint-Andéol depicting Mithras killing the bull has been chiseled on the rock.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
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Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
