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Acta diurna

Daily Gazette

Acta diurna is our Mithraic social stream for keeping up to date with what is happening in The New Mithraeum.

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Sept 2026
NewTextus

Regarding the “Persian” nature of Mithras and Mithraism

A flaw in the dominant narrative or just the usual genealogy?
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Sept 2026
NewScriptum
A terracotta figurine of Mithra. I-III centuries AD, from the Hoghmik sanctuary complex

"...For the solution of our problem, it is important to refer to the Hellenistic temple complex of Hoghmik, located to the north of Gyumri. Here, we shall focus on two buildings among the complex’s numerous rooms and auxiliary structures.

The first is Room No. 1 (Fig. 7), which measures approximately 13 m in length and 9 m in width. Along the southern wall runs an elongated stone mastaba, approximately 0.5 m in both height and width, constructed on a pavement about 2 m wide. A second mastaba was built along another wall, although it is interrupted in two places. In the center of the room, between the two mastabas, stood a poorly preserved altar. In the northwestern corner, archaeologists uncovered a stone box containing burnt animal remains, probably those of a goat. In front of the box, along the edge of the wall, a rectangular opening was identified, which was probably intended for an idol.

The room itself is divided into three sections by four pairs of columns. The four central columns are positioned at some distance from one another, leaving sufficient space for a garret—a feature characteristic of the main room of the traditional Armenian house. Two sanctuaries and an iwan were also erected adjacent to the building.

Our initial suggestion was that the three east-oriented sections of the room were dedicated to the supreme gods of the Armenian pantheon. These structures were built in the 2nd century BC and remained in use for approximately four centuries, until the adoption of Christianity as the state religion of Armenia.

Approximately twenty meters north of these structures, another room was uncovered containing evidence of numerous animal sacrifices, as well as mastabas, altars, and idols. Between these buildings, in one of the rooms, archaeologists discovered a clay figurine identified as Mihr-Mithra (Fig. 7c)."

Source:
Hayk Hakobyan - ON THE ORIGIN OF ROMAN MITHREUMS [ref:6aa3afffde57d]
A terracotta figurine of Mithra. I-III centuries AD, from the Hoghmik sanctuary complex

"...For the solution of our problem, it is important to refer to the Hellenistic temple complex of Hoghmik, located to the north of Gyumri. Here, we shall focus on two buildings among the complex’s numerous rooms and auxiliary structures.

The first is Room No. 1 (Fig. 7), which measures approximately 13 m in length and 9 m in width. Along the southern wall runs an elongated stone mastaba, approximately 0.5 m in both height and width, constructed on a pavement about 2 m wide. A second mastaba was built along another wall, although it is interrupted in two places. In the center of the room, between the two mastabas, stood a poorly preserved altar. In the northwestern corner, archaeologists uncovered a stone box containing burnt animal remains, probably those of a goat. In front of the box, along the edge of the wall, a rectangular opening was identified, which was probably intended for an idol.

The room itself is divided into three sections by four pairs of columns. The four central columns are positioned at some distance from one another, leaving sufficient space for a garret—a feature characteristic of the main room of the traditional Armenian house. Two sanctuaries and an iwan were also erected adjacent to the building.

Our initial suggestion was that the three east-oriented sections of the room were dedicated to the supreme gods of the Armenian pantheon. These structures were built in the 2nd century BC and remained in use for approximately four centuries, until the adoption of Christianity as the state religion of Armenia.

Approximately twenty meters north of these structures, another room was uncovered containing evidence of numerous animal sacrifices, as well as mastabas, altars, and idols. Between these buildings, in one of the rooms, archaeologists discovered a clay figurine identified as Mihr-Mithra (Fig. 7c)."

Source:
Hayk Hakobyan - ON THE ORIGIN OF ROMAN MITHREUMS https://fundamentalarmenology.am/datas/pdfs/624.pdf
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Sept 2026
NewScriptum
Roman(?) Altar from Dvin (Armenia) with Mithraistic symbols, II c. AD(?)

Sun from the south, Raven from the north, Bull from the west, Cancer from the east.

Source:
Hayk Hakobyan - ON THE ORIGIN OF ROMAN MITHREUMS [ref:6aa3afffde57d]
Roman(?) Altar from Dvin (Armenia) with Mithraistic symbols, II c. AD(?)

Sun from the south, Raven from the north, Bull from the west, Cancer from the east.

Source:
Hayk Hakobyan - ON THE ORIGIN OF ROMAN MITHREUMS https://fundamentalarmenology.am/datas/pdfs/624.pdf
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Sept 2026
Sept 2026
NewScriptum
Supposed fragments of Tauroctony from Artashat(Artaxata)

"During excavations at Artashat in 1971, at the same site not far from a previously mentioned statue, another fragment of a marble statuette was found, representing the torso of a youth with a small animal skin and a child’s leg with a dangling heel, indicating the dynamism of the depicted figure (Plate XVIII2). Another marble fragment was discovered near the remains of a sanctuary dedicated to the sun god. It is assumed that this fragment depicts the hoof of a bull. Does this not suggest that the sanctuary once contained a statue of Mithra slaughtering a sacrificial bull?" (p. 23) https://arar.sci.am/publication/410263я

S. Obukhov cites this part from the text and comments on this find: "...Thus, G.A. Koshelenko sees in the tauroctony a reinterpretation of the late Babylonian rite of Kalu. In his opinion, the New Year’s rite, when a white bull was sacrificed - the personification of the generative forces of nature—was even more important (citing F. Thureau-Dangin and G. Widengren). It is known that the rite of taurobolium was celebrated in the mithraeum at Uruk-Varka, as evidenced by the discovery of a clay stamp depicting a tauroctony scene. Sculptural remains of a tauroctony scene were also discovered in layers dating from the first centuries AD in the ancient Armenian city of Artashat. This rite, apparently in a reinterpreted form, is described in the Armenian folk epic about David of Sassoun."

Sources:
1: Аракелян, Б. Н. - Очерки по истории искусства Древней Армении ([ref:6a9f1ba5e8702])
1: Խաչատրյան, Ժ. Դ. - Արտաշատ II ([ref:6a9d9eb8b7f4c])
2: Обухов, С. В. - Пантеон и царский культ в Коммагене. Эпоха Митридата I Каллиника и Антиоха I Теоса: историко-археологическое исследование
Supposed fragments of Tauroctony from Artashat(Artaxata)

"During excavations at Artashat in 1971, at the same site not far from a previously mentioned statue, another fragment of a marble statuette was found, representing the torso of a youth with a small animal skin and a child’s leg with a dangling heel, indicating the dynamism of the depicted figure (Plate XVIII2). Another marble fragment was discovered near the remains of a sanctuary dedicated to the sun god. It is assumed that this fragment depicts the hoof of a bull. Does this not suggest that the sanctuary once contained a statue of Mithra slaughtering a sacrificial bull?" (p. 23) https://arar.sci.am/publication/410263я

S. Obukhov cites this part from the text and comments on this find: "...Thus, G.A. Koshelenko sees in the tauroctony a reinterpretation of the late Babylonian rite of Kalu. In his opinion, the New Year’s rite, when a white bull was sacrificed - the personification of the generative forces of nature—was even more important (citing F. Thureau-Dangin and G. Widengren). It is known that the rite of taurobolium was celebrated in the mithraeum at Uruk-Varka, as evidenced by the discovery of a clay stamp depicting a tauroctony scene. Sculptural remains of a tauroctony scene were also discovered in layers dating from the first centuries AD in the ancient Armenian city of Artashat. This rite, apparently in a reinterpreted form, is described in the Armenian folk epic about David of Sassoun."

Sources:
1: Аракелян, Б. Н. - Очерки по истории искусства Древней Армении (Очерки по истории искусства Древней Армении)
1: Խաչատրյան, Ժ. Դ. - Արտաշատ II (Արտաշատ II. Անտիկ դամբարանադաշտեր (1971–1977 թթ. պեղումները))
2: Обухов, С. В. - Пантеон и царский культ в Коммагене. Эпоха Митридата I Каллиника и Антиоха I Теоса: историко-археологическое исследованиеarar.sci.amОчерки по истории искусства Древней АрменииA survey of the art of ancient Armenia from the sixth century BCE to the third century CE, bringing together archaeological evidence for sculpture, architecture…
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Sept 2026
NewMonumentum

Possible tauroctony fragments from Artashat

Two marble fragments from a small statuette discovered at Artashat in 1971 and later interpreted as possible remains of a tauroctony.
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Sept 2026
NewTextus

The many lives of Mithras

We speak with Israel Campos Méndez about questions that continue to divide scholars: what links the Indo-Iranian Mithra to the deity worshipped in the Roman Empire, and what do we really know about the origins of Roman Mithraism?
Dear Professor Campos,
Remarkable work, indeed! I have two modest reflexions to suggest:

The Greeks of the 4th century BC celebrated the liberation of slaves by wearing a Phrygian cap. This came from the peoples of the Black Sea who did not practice slavery. So, the Phrygian cap predates the cult of Mithras.

Does the god Arimanius have a connection with Armenia, which came under Roman control in 74-63 BC? This is the region of the cult of Mithras, as shown by the bas-relief of Antiochus of Nemrut Dagi. However, Jesus Christ spoke "Aramaic," one of the languages spoken in this region. If we accept that the Gospels are texts of Mystery, would this allude to the cult of Arimanius from which Jesus would have originated?

I did a modest research on the migration of the soul in the cult of Mithras:
The catacomb of St. Marcellinus and Peter in Rome: Orpheus, Mithras or Jesus

Best regards

Dr D.Persoons
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Sept 2026
Liber

Արտաշատ II. Անտիկ դամբարանադաշտեր (1971–1977 թթ. պեղումները)

Khachatryan, Zhores (1981) Artashat II: Ancient Necropolises (Excavations of 1971–1977). Archaeological Excavations in Armenia 17. Yerevan: Publishing House of the Academy of Sciences of the Armenian SSR.
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Sept 2026
Liber

Очерки по истории искусства Древней Армении

Outlines of the History of Ancient Armenian Art from the sixth century BCE to the third century CE.
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Sept 2026
Liber

Notre Père qui êtes aux cieux…

An Esoteric Interpretation of the Lord’s Prayer, Based on Rudolf Steiner’s Lecture Given in Karlsruhe on 4 February 1907.
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Sept 2026
Liber

Du sens de la vie

Rudolf Steiner on the meaning of human life, death and the spiritual nature of existence.
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Sept 2026
NewScriptum
Temple of Khaldi in Ardini-Musasir

Bas-relief from room XIII of the royal palace of Khorsabad: the sack of the temple of the god Haldi at Musasir by the Assyrian troops, scene from the eighth campaign of Sargon II, 714 BC.

What is Interesting in the framework of Mithraic studies is that the city of Ardini-Musasir is described as “the city of Raven".

Apart from that, when Assyrians looted the temple, apart from the statue of Khaldi, they also took the bull of Astartes: "[...............] with horns šêlalâte, aštartu of its doors, which were cast of pure gold weighing 2 talents..."

Sources:
1. [ref:6a9e8af85b44f]
2. [ref:6a9e8af8baad2]
3. [ref:6a9e8af6b7bea]
Temple of Khaldi in Ardini-Musasir

Bas-relief from room XIII of the royal palace of Khorsabad: the sack of the temple of the god Haldi at Musasir by the Assyrian troops, scene from the eighth campaign of Sargon II, 714 BC.

What is Interesting in the framework of Mithraic studies is that the city of Ardini-Musasir is described as “the city of Raven".

Apart from that, when Assyrians looted the temple, apart from the statue of Khaldi, they also took the bull of Astartes: "[...............] with horns šêlalâte, aštartu of its doors, which were cast of pure gold weighing 2 talents..."

Sources:
1. Haldi and Mithra/Mher : Armen Petrosyan : Free Download, Borrow, and Streaming : Internet Archive
2. Ассиро-вавилонские источники по истории Урарту. № 49
3. File:Khorsabad Salle XIII. Bas-relief 4 - sac de Musasir.jpg - Wikimedia Commonsarchive.orgHaldi and Mithra/Mher : Armen Petrosyan : Free Download, Borrow, and Streaming : Internet ArchiveHaldi and Mithra/Mher, by Armen Petrosyan, from Aramazd: Armenian Journal of Near Eastern Studies 1(2006), pp. 222-238, in 19 searchable pdf pages. Internet...
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Sept 2026
Tractatus

Արտաշատ II. Անտիկ դամբարանադաշտեր (1971–1977 թթ. պեղումները)

Khachatryan, Zhores (1981) Artashat II: Ancient Necropolises (Excavations of 1971–1977). Archaeological Excavations in Armenia 17. Yerevan: Publishing House of the Academy of Sciences of the Armenian SSR.
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Sept 2026
Scriptum
UPDATE: This is not the supposed tauroctony from Artaxata (Artashat). I was incorrect in my identification due to low-res.confusion.

I will post the actual supposed tauroctony soon.
UPDATE: This is not the supposed tauroctony from Artaxata (Artashat). I was incorrect in my identification due to low-res.confusion.

I will post the actual supposed tauroctony soon.
Thanks for sharing, Hetanos. I haven’t had a chance to visit Garni yet, but it has been highly recommended to me. Do you know if anything else has been published on the sculptural group? I’d be very interested to read more about it.
Unfortunately, this relief from Artashat and the bull’s head from Garni have been poorly studied by Armenian archaeologists. I found these and several other artifacts while digging through old Armenian-language reports on Soviet-era archaeological finds. Armenian academics apparently simply forgot about the existence of these finds, and I mostly find comments about them in Russian academic works.
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Sept 2026
NewScriptum
The Bull’s Head from Garni

Now for something more interesting: a relatively new and rarely mentioned artifact - the marble bull’s head from Garni, about which very little information is available. I will refer to the official channel of the Historical Monuments Preservation Service:

[One of the exceptional artifacts held in the collections of the State National Cultural Organization “Service for the Protection of the Historical Environment and Historical-Cultural Museums and Reserves” is a marble bull’s head discovered several years ago in the Garni Gorge.

After Christianity was proclaimed the state religion in Armenia in 301, although the fortresses and defensive complexes remained intact, pagan places of worship were razed to the ground. Only in a few places were some temples adapted to the new religion and rebuilt as Christian sanctuaries.
The Garni Temple is an exception, as it has been preserved in its original form and was used as a secular building. According to the account of Movses Khorenatsi, the “father of Armenian historiography” (presumably born around 410—died in 490), the Garni Temple was converted into the summer residence of Khosrovadukht, the sister of King Trdat III.

Followers of the new religion smashed to pieces and threw into the gorge the marble statue of Mithra, the sun god and bull-fighter, which had been installed in the apse.

Centuries later, during excavations near the temple, a bull’s hoof carved from white marble was discovered, which, according to experts, was part of this sculptural group. Two other fragments—a marble bull’s head and a fragment of the sculptural group’s pedestal—were discovered by chance in 2011 on a steep slope of the gorge.]

Source: [ref:6a9da5cce342f]
The Bull’s Head from Garni

Now for something more interesting: a relatively new and rarely mentioned artifact - the marble bull’s head from Garni, about which very little information is available. I will refer to the official channel of the Historical Monuments Preservation Service:

[One of the exceptional artifacts held in the collections of the State National Cultural Organization “Service for the Protection of the Historical Environment and Historical-Cultural Museums and Reserves” is a marble bull’s head discovered several years ago in the Garni Gorge.

After Christianity was proclaimed the state religion in Armenia in 301, although the fortresses and defensive complexes remained intact, pagan places of worship were razed to the ground. Only in a few places were some temples adapted to the new religion and rebuilt as Christian sanctuaries.
The Garni Temple is an exception, as it has been preserved in its original form and was used as a secular building. According to the account of Movses Khorenatsi, the “father of Armenian historiography” (presumably born around 410—died in 490), the Garni Temple was converted into the summer residence of Khosrovadukht, the sister of King Trdat III.

Followers of the new religion smashed to pieces and threw into the gorge the marble statue of Mithra, the sun god and bull-fighter, which had been installed in the apse.

Centuries later, during excavations near the temple, a bull’s hoof carved from white marble was discovered, which, according to experts, was part of this sculptural group. Two other fragments—a marble bull’s head and a fragment of the sculptural group’s pedestal—were discovered by chance in 2011 on a steep slope of the gorge.]

Source: «Գառնի» պատմամշակութային արգելոց-թանգարան / Garni Templefacebook.com«Գառնի» պատմամշակութային արգելոց-թանգարան / Garni Templehttps://www.facebook.com/149391158512910/posts/3017610305024300/
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Sept 2026
Liber

Rythmes dans le cosmos et dans l'être humain. Comment acquérir la vision du monde spirituel ?

Rudolf Steiner on Cosmic Rhythms, Ancient Mysteries and the Cult of Mithras, from Druidic Ritual to Christianity and Freemasonry.
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Sept 2026
Liber

L’Écho de l’Au-delà & d’Ici-bas. Journal Bi-Mensuel illustré d’Union Spiritualiste

A fin-de-siècle French journal bringing together Spiritualism, occultism, Theosophy and esoteric currents under the banner of “Spiritualist Union”.
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Sept 2026
Liber

The Herald of the Star

The international journal of the Order of the Star in the East, published around Jiddu Krishnamurti and the Theosophical expectation of a coming World Teacher.
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Sept 2026
Liber

Le Roi du Monde

René Guénon’s study of the “King of the World” and the hidden spiritual centre said to underlie the sacred geography, symbols and traditional order of different civilisations.
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Sept 2026
Liber

Introduction générale à  l'étude des doctrines hindoues

René Guénon’s foundational study of Hindu doctrines, presenting them as expressions of an immutable metaphysical tradition while challenging Western interpretations of Indian religion and philosophy.
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