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These two fragments of a sandstone relief were walled into a house on the market square in Besigheim.
Statue in yellow sandstone found in the pit of the Mithraeum of Dieburg, showing Mithras standing beside an altar with bow and arrow, accompanied by a vase and associated with the water miracle.
Fragment of a double-sided white marble Mithraic relief from San Zeno, found near the Castello di Tuenno, depicting elements of the tauroctony cycle and bearing a dedication to Deo Invicto Mithrae.
Limestone low-relief depicting Cautopates standing cross-legged in eastern dress, accompanied by a bull, flowing water from an overturned jar and a crescent from Bolognia.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
This plaque was found in Mithraeum I at Stockstadt broken into pieces inserted between the blocks of the socle of the cult relief, in the manner of a votive deposit.
Sandstone base from Vetera (Xanten), Germania Inferior, with a relief of Cautes in Oriental dress holding a long burning torch.
Fragmentary sandstone relief from Rückingen showing a male figure walking right and holding a kantharos. Traces on the chest may indicate a torques or shoulder-cape.
In these two key passages, Justin Martyr interprets Mithraic rituals and myths as demonic parodies of Christ’s incarnation, the Eucharist, and biblical revelation.
White marble relief depicting Mithras as bull-slayer in a grotto from the Froehner collection, now in the Cabinet des Médailles, Paris.
Currently in the Musei Vaticani, this Tauroctony includes Mithras’s birth restored as Venus anaduomene.
In Letter 107 to Laeta, Jerome combines a pastoral reflection on conversion with an account of the urban prefect Gracchus, who ordered the destruction of a Mithraic cave in Rome, listing the seven grades of initiation associated with the cult.
In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
A series of polemical passages in which a leading fourth-century Christian theologian presents the cult of Mithras as a religion defined by cruelty, bodily suffering, and shameful initiation rites.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
Mithras being born from the rock (petrogenia), acquired in Rome and formerly kept in Berlin.
The Mithraeum under the Basilica of San Clemente made part of a notable Roman house.
This tauroctony relief is distinguished by the rare depiction of Tellus reclining beneath the bull.
In polemical passages from the late second and early third centuries, Tertullian portrays the cult of Mithras as a demonic imitation of Christian rites and provides rare early references to Mithraic initiation and ritual symbolism.