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This unusual piece depicts Mithras slaying the bull on one side and the Gnostic god Abraxas on the other.
Dominique Persoons proposes a reconstruction of Mithraic ritual based on archaeological remains, frescoes, and zodiacal symbolism. He interprets the mithraeum as a liturgical microcosm governing the descent, purification, and ascent of souls.
A selection of texts gathered by Ernesto Milá that reinterprets Mithraism as an initiatory, solar, and heroic cult. It includes the so-called Great Magical Papyrus of Paris, translated and commented by Julius Evola and the Ur Group.
At Rome’s twilight, amid political upheaval and Christian ascendancy, Vettius Agorius Praetextatus embodied pagan intellect, virtue, and authority across senatorial, military, and mystical spheres.
Algis Uždavinys presents philosophy as a sacred practice of inner rebirth, rooted in ancient Egyptian and traditional wisdom rather than a purely rational discipline.
This article revisits the Mithraeum of S. Maria Capua Vetere, one of the most complete and artistically refined Mithraic sanctuaries in the Campanian region, situating it within its archaeological, iconographic, and ritual-historical contexts.
The Mithraeum of London, also known as the Walbrook Mithraeum, was contextualised and relocated to its original site in 2016.
For the first time, a Mithraeum has been discovered in Corsica, at the site of Mariana, Lucciana (Haute-Corse).
This limestone relief of Mithras killing the bull bears an inscription by a certain Flavius Horimos, consecrated in a ’secret forest’ in Moesia.
Bas-relief depicting a naked Sol leaning over his fellow Mithras while raising a drinking horn during the sacred feast.
The relief of Dieburg shows Mithras riding a horse as main figure, surrounded by several scenes of the myth.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
Triangular relief in yellow sandstone showing a crescent in relief.
In these two key passages, Justin Martyr interprets Mithraic rituals and myths as demonic parodies of Christ’s incarnation, the Eucharist, and biblical revelation.
In these passages from his hymns and satires, Julian articulates a solar theology in which Helios governs cosmic order and time. Within this framework, Mithras appears as a personal divine guide associated with the ascent of souls.
Statue of Cautes from Bodobrica, discovered around 1940, depicting the torchbearer standing before a tree or rock and associated with a bucranium.
Emperor Julian may have been initiated into the cult of the god Mithras at the Mithraeum of Vienne, France, according to Turcan.
The Mithraic vase from Ballplatz in Mainz depicts seven figures arranged in two narrative sequences, commonly interpreted in relation to initiation rites.
