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The tauroctony relief of Sidon depicts the signs of the zodiac and the four seasons, among other familiar features.
A mosaic of Silvanus, dated to the time of Commodus, was found in a niche in a nearby room of the Mithraeum in the Imperial Palace at Ostia.
Terracotta tablets depicting a Taurombolium by Attis which might be at the origins of the mithraic Tauroctony iconography.
The Mithraeum of Biesheim-Kunheim is located near the ancient village of Altkirch, near the Rhin.
This marble relief from Alba Iulia contains numerous scenes from the myth of Mithras.
This temple of Mithras has been discovered under the Church in Vieux-en-Val-Romey, in 1869.
Only a fragment of this marble group of Mithras killing the bull remains.
Marble plaque with inscription of a sacerdos probatus to Sol and the god Invictus Mithras.
This white marble relief of Mithas killing the sacred bull was found embedded in the building of a noble family in Pisa.
This limestone altar bears an inscription from its donor, Firmidius Severinus, in honour of Mithras after 26 years of service in the Legio VIII Augusta.
Excavations in 1979 on the remains of the church of Notre-Dame d'Avigonet in Mandelieu, Alpes-Maritimes, brought to light a small mithraeum.
These three fragments of carved marble depict Jupiter, Sol, Luna and a naked man wearing a Phrygian cap, with inscriptions calling Mithras Sanctus Dominum.
The inscription reports the restoration of the coloured painting of the main relief of the Mithraeum by a veteran of the Legio VIII Augusta.
This silver amulet depicts Abraxas on one side and the first verses of the Book of Genesis in Hebrew on the other.
One of the rooms in a sustantive masonry building in Hollytrees Meadow was considered to be a Mithreum, a theory that has now been discarded.
This relief of Mithras slaying the bull was erected in Piazza del Campidoglio, moved to Villa Borghese and is now in the Louvre Museum.
The relief of Mithras slaying the bull of Danaújváros was found broken into three parts in a tomb looted in antiquity.
The concluding book of Apuleius’ Golden Ass (or Metamorphoses), where Lucius, the story’s protagonist, undergoes initiation into the mysteries of Isis and Osiris.
