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This relief of Mithras killing the bull is on display at the Royal Ontario Museum.
This sculpture, probably of Cautopates, now in the Musei Vaticani, was transformed into Paris.
This is one of the two torchbearers, probably Cautes, transformed into Paris, now in the British Museum.
This inscription was dedicated to God Cautes by a certain Flavius Antistianus, Pater Patrorum in Rome.
Corax Materninius Faustinus dedicated other monuments found in the same Mithraeum in Gimmeldingen.
This altar, found in the 3rd mithraeum of Ptuj, bears an inscription and a relief of Sol and a person with a cornucopia.
The remains of the Jajački Mithraeum were discovered accidentally during excavation for the construction of a private house in 1931.
This monument is too fragmentary to recod it definitely as a Mithras-monument.
This magnificent candelabrum was found in Rome in 1803, in the Syrian Temple of Janicule.
This altar to Deo Invicto was found during the excavation of the Monastero Delle Benedettine di Santa Grata in Bergamo, with a bronze calf’s head on top.
This statue of Mithras as a bullkiller was bought at Rome where it might be found.
This Mithras killing the bull belonged to the sculptor V. Pancetti before being exhibited in the Vatican Museums under Pius VI.
This relief of Mithras killing the bull, signed by a certain Χρῆστος, is on display in the Sala dei Animali of the Vatican Museum.
Franz Cumont bought this relief of Mithras as a bullkiller from a dealer who claimed to have found it in a vineyard near the church of Saint Pancrace, in Rome.
This is one of the three reliefs of Mithras as a bullkiller from the Villa Borghese collection that belong to the Louvre museum, now in the Louvre Abu Dhabi.
This small relief of Mithras killing the bull was found in 1859 in Turda, in the Cluj region of Romania.
This relief of Mithras killing the bull is unique in the Apulum Mithraic repertoire because of its inscription in Greek.
The relief of Mithra slaying the bull from Apulum, Romania, has been missing until the scholar Csaba Szabó identified it in the diposit of the Arad Museum.
Several authors read the name Suaemedus instead of Euhemerus as the author of this mithraic relief from Alba Iulia, Romania.
The remains of the mithraic triptic of Tróia, Lusitania, were part of a bigger composition.