Your search Ernesto Milá gave 153 results.
The vessel to burn incense from the Mithraeum of Dieburg is similar to those found in other Roman cities of Germany.
This inscription by a certain Memmius Placidus is the first ever found signed by a Heliodromus.
The relief of Aion from Vienne includes a naked youth in Phrygian cap holding the reins of a horse.
The City of Darkness unique fresco from the Mithraeum of Hawarte shows the tightest links between the western and eastern worship of Mithras in Roman Syria.
The Mithraeum I of Ptuj contains the foundation, altars, reliefs and cult imagery found in it.
This relief of Mithras killing the bull is unique in the Apulum Mithraic repertoire because of its inscription in Greek.
The remains of the mithraic triptic of Tróia, Lusitania, were part of a bigger composition.
These two mithraic sculptures of Cautes and Cautopates belong to the same collection of Astuto de Noto, made up of mostly Sicilian monuments.
Set in a Roman necropolis, the so-called Mithraeum of the Elephant takes its name from an elephant statue found in one of the tombs.
This marble tablet found at Portus Ostiae mentions a pater, a lion donor and a series of male names, probably from a Mithraic community.
This medallion belongs to a specific category of rounded pieces found in other provinces of the Roman world.
Terracotta tablets depicting a Taurombolium by Attis which might be at the origins of the mithraic Tauroctony iconography.
The main relief of Mithras killing the bull from the Mithraeum of Dura Europos includes three persons named Zenobius, Jariboles and Barnaadath.
One of the reliefs of the Dura Europos tauroctonies includes several characters with their respective names.
Excavations in 1979 on the remains of the church of Notre-Dame d'Avigonet in Mandelieu, Alpes-Maritimes, brought to light a small mithraeum.
These three fragments of carved marble depict Jupiter, Sol, Luna and a naked man wearing a Phrygian cap, with inscriptions calling Mithras Sanctus Dominum.
The main cultic relief of Mithras slaying the bull of Fertorakos was carved into the rock face.
The concluding book of Apuleius’ Golden Ass (or Metamorphoses), where Lucius, the story’s protagonist, undergoes initiation into the mysteries of Isis and Osiris.
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.
The altar depicting a lion-headed figure from Bordeaux includes a sculpted ewer and a patera on the sides.
