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He commissioned the main cult relief found in the Mithraeum of Circo Massimo.
He was a soldier of the Cohors I Belgarum, probably of Dalmatian origin, who dedicated an altar to Mithras in Aufustianis.
Slave of the imperial family and dispensator who repaired an image of Mithras in Tibur, near Rome.
Libertus from the Arrii-family to which also belonged the Emperor Antonius Pius.
Emperor Caracalla ordered one of Rome’s largest temples to the god Mithras to be built in the baths bearing his name.
Limestone tauroctony relief from Carnuntum with traces of polychromy and a graffito on the bull’s neck. The inscribed base was carved separately.
Callimorphus was a cashier (arkarius) of the estates of Chresimus, steward of emperors.
He dedicated to the Emperor, for the worshipers of the god Mithras a sculpture in Stabiae.
A limestone lion holding a flowing urn, discovered at the entrance of the Mithraeum of Les Bolards, reflects the ritual significance of water within the cult of Mithras.
The temple of Mithras in Fertorakos was constructed by soldiers from the Carnuntum legion at the beginning of the 3rd century AD.
By reading Orphic theology together with Eleusinian ritual practice, the mysteries emerge as a structured mystagogy of transformation: a disciplined passage from forgetfulness (Lethe) to knowledge (aletheia), from mortality to participation in the divine.
A historical novel framed as the memoir of a Brittano-Roman soldier witnessing the end of Roman Britain. It explores identity, loyalty, and survival at the twilight of empire.
This article revisits the Mithraeum of S. Maria Capua Vetere, one of the most complete and artistically refined Mithraic sanctuaries in the Campanian region, situating it within its archaeological, iconographic, and ritual-historical contexts.
The Mithraeum of London, also known as the Walbrook Mithraeum, was contextualised and relocated to its original site in 2016.
This second altar discovered to date near Inveresk includes several elements unusual in Mithraic worship.
