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This monument was erected on the occasion of the elevation of a member to the Mithraic grade of Perses.
The altar includes a slab with an inscription for the salvation of two emperors.
The floor of the central aisle of the Mithraeum of the Footprint in Ostia has a mosaic depicting a snake and a footprint.
The head of Mithras had seven holes made for fastening rays.
The Mithraeum of the terms of Mithras takes its name from being installed in the service area of the Baths of Mithras.
The marble altar mentions Vettius Agrorius Praetextatus as Pater Sacrorum and Patrum and his wife Aconia Fabia Paulina.
It bears an inscription repeated on each side of the podia.
The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
Slab marble indicates that Lucius Sempronius has donated a throne to the Mitreo delle Pareti Dipinte.
This marble slab found near the Casa de Diana in Ostia bears two inscription with several names of brothers of a same community
The dedicator of this marble basin could be the same person who offered the sculpture of Mithras slaying the bull in the Mitreo delle Terme di Mitra.
The image of the god Arimanius to which this monument refers has not yet been found.
These two parallel altars to the diophores were dedicated by the Pater and a Leo from the Mithraeum of S. Stefano Rotondo.
The sculpture of Mithras rock-birth from Santo Stefano Rotondo bears an inscription of Aurelius Bassinus, curator of the cult.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
The monument is engraved with an inscription by Cresces, the donor.
As this short inscription indicates, Aemilio Epaphorodito was both Pater and priest of the Mithraeum of the Seven Spheres.
The sculptures of Cautes and Cautopates from the Mitreo del Palazzo Imperiale may have been reused from an older mithraeum in Ostia.
The Mithraic fellow P. Aelius Urbanus mentions that he built the sacred area of the Mithraeum Circo Massimo.
