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The Mithraeum of the terms of Mithras takes its name from being installed in the service area of the Baths of Mithras.
The marble altar mentions Vettius Agrorius Praetextatus as Pater Sacrorum and Patrum and his wife Aconia Fabia Paulina.
It bears an inscription repeated on each side of the podia.
The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
Slab marble indicates that Lucius Sempronius has donated a throne to the Mitreo delle Pareti Dipinte.
This marble slab found near the Casa de Diana in Ostia bears two inscription with several names of brothers of a same community
The image of the god Arimanius to which this monument refers has not yet been found.
These two parallel altars to the diophores were dedicated by the Pater and a Leo from the Mithraeum of S. Stefano Rotondo.
The inscription mentions the name of the donor, Yperanthes, of Persian origin.
The monument is engraved with an inscription by Cresces, the donor.
The Mitreo Fagan revealed remarkable sculptures of leon-headed figures now exposed at the Vatican Museum.
The Mithraeum Felicissimus has a floor mosaic depicting the seven mithraic grades.
The Mithraeum near Porta Romana was connected to a Sacello, but the door was blocked.
The name of the Mithraeum of the Seven Gates refers to the doors depicted in the mosaic that decorates the floor, symbolising the seven planets through which the souls of the initiates have to pass.
This relief was found under the Palazzo Montecitorio, in Rome, and bought by the Liebighaus at Frankfort.
The discovery of the Mithraeum of Tarquinia is due to the Department for Protection of Cultural Heritage of the Carabinieri, who noticed some clandestine excavations near the Ara della Regina.
The sculpture of Mithras slaying the bull was transported from Rome to London by Charles Standish in 1815.
This temple of Mithras on the north side of the Capitoline Hill in Rome no longer exists.
The sculpture of Aion from Florence, Italy, has the usual serpent, coiled six times on its body, whose head rests on that of the god of eternal time.
This small altar found in Rome depicts the god Sol with five rays around his head.