Your search Saint Aubin gave 84 results.
Marble altar dedicated at the Vatican Phrygianum in Rome by the Mithraic pater Alfenius Ceionius Iulianus Kamenius in 374 CE.
This inscription by a certain Ioulianos, found at the entrance to the Dolichenum at Dura Europos, bears an inscription to Zeus Helios Mithras et Tourmasgade.
This marble slab bears an inception be the Pater Proficentius to whom Mithras has suggested to build and devote a temple.
Lenni George on Hekate’s development across ancient traditions, from mystery cults to magical practice and philosophical thought.
On what Hekate’s name may or may not tell us, and why the uncertainty matters.
At Rome’s twilight, amid political upheaval and Christian ascendancy, Vettius Agorius Praetextatus embodied pagan intellect, virtue, and authority across senatorial, military, and mystical spheres.
Genet aborde les thèmes qui lui sont chers, dans les règles de l’art mais en laissant affleurer un lyrisme bien tenu.
Certains mythes de l'Antiquité sont probablement basés sur des récits de « mort imminente » exactement les mêmes que les nôtres. Ainsi, s'expliqueraient le Paradis, l'Enfer, l'âme, le Dieu unique, nos divers «états d'âme»..…
This catalogue proposes, thanks to the contributions of some 75 international experts, a new synthesis for a complex and fascinating cult that reflects the remarkable advances in our knowledge in recent decades.
Roger Beck describes Mithraism from the point of view of the initiate engaging with the religion and its rich symbolic system in thought, word, ritual action, and cult life.
Corpus Inscriptionum et Monumentorum Religionis Mithriacae (or CIMRM) is a two volume collection of inscriptions and monuments relating primarily to the Mithraic Mysteries.
An inscription mentioning a speleum decorated by Publilius Ceionius suggests the location of a mithraeum in Cirta, the capital of Numidia.
Vir clarissimus and governor of Numidia, who dedicated a temple to Mithras with its images and ornaments in Cirta.
Tracing the links between the cult of Mithras and the Proud Boys’ quest for identity, power, and belonging. How ancient rituals and brotherhood ideals resurface in radical modern movements.
There is no consensus on the authenticity of this monument erected by a certain Secundinus in Lugdunum, Gallia.
This marble sculpture from Sicily, known as the Randazzo Vecchio or Rannazzu Vecchiu, contains some essential elements of the Mithraic Aion, the lion-headed god.
What appears to be a representation of Mithras killing the bull appears in the 12th century frescoes of the Basilica dei Santi Quattro Coronati in Rome.
