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The most emblematic of the Syrian Mithraea was discovered in 1933 by a team led by the Russian historian Mikhaïl Rostovtzeff.
Greek graffiti scratched on wall plaster, recording a list of everyday expenses from Dura-Europos, Roman Syria.
This inscription by a certain Ioulianos, found at the entrance to the Dolichenum at Dura Europos, bears an inscription to Zeus Helios Mithras et Tourmasgade.
The controversial Italian journalist Edmon Durighello discovered this marble statue of a young naked Aion in 1887.
The Hekataion of Sidon shows a triple Hekate surrounded by three dancing nymphs.
The Mithraeum of Sidon may have escaped destruction because the Mithras worshippers walled up the entrance to the underground sanctuary.
In this fresco from Dura Europos, Mithras is represented as a hunter accompanied by the lion and the serpent.
New evidence for the cult of Mithras and the religious practices of Legio IV Scythica at the Roman frontier city of Zeugma on the Euphrates.
The Mithraeum of Saara, Syria, has been identified through the deciphering of the remains of the iconographic programme on its arch.
Around the niche of the Dura Europos Mithraeum fragments of a series of small paintings set in a semicircular band of panels were found.
Around the relief with Mithras as a bullkiller, a number of scenes from the Mithras Iegend have been painted in the Mithraeum of Dura Europos.
This monumental head of Antionchus I of Commagene is in Nemrut Dağı together with other representations of the Greco-Iranian king.
The inscription pays homage to the emperor, probably Caracalla, to Mithras, the fathers, the petitor and the syndexioi.
The colossal head has been identified as a solar god, Apollo-Mihr-Mithras-Helios-Hermes.
Mount Nemrut or Nemrud is one of the highest peaks in the eastern Taurus Mountains, southeastern Turkey. On its summit large statues stand around what is supposed to be a royal tomb from the 1st century BC.
A certain Maximus from the Legio IV Scythica engraved his name in one of the columns of the Mithraeum of Dura Europos.
The City of Darkness unique fresco from the Mithraeum of Hawarte shows the tightest links between the western and eastern worship of Mithras in Roman Syria.
Three plaster altars within the main altar of the Mithraeum of Dura Europos, two of them with traces of fire and cinders.
The tauroctony relief of Sidon depicts the signs of the zodiac and the four seasons, among other familiar features.
