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Gold lamina from Ciciliano showing a nude, serpent-entwined Aion-Kronos holding a key and surrounded by Greek voces magicae (2nd c. CE).
This graffito seems to be an account of offerings made by Mithras worshippers in the Cassegiato di Diana.
This monument has been identified from ’Memorie di varie antichità trovate in diversi luoghi della città di Roma’, a book by Flaminio Vacca of 1594.
This inscription, which doesn’t mention Mithras, was found near the church of Santa Balbina on the Aventine in Rome.
Bronze statuette of Mithras in his characteristic bull-slaying pose, though only the god has been preserved.
White marble statue of Lion-head god of time, formerly in the Villa Albani, nowadays in the Musei Vaticani.
The Aion / Phanes relief, currently on display in the Gallerie Estensi, Moneda, is associated with two Eastern mysteric religions: Mithraism and Orphism.
The marble Aion from the lost Mithraeum Fagan, Ostia, now presides the entrance to the Vatican Library.
Figures in procession, each representing a different grade of Mithraic initiation, labeled with their respective titles.
The person who commanded the sculpture may have been M. Umbilius Criton, documented in the Mitreo della Planta Pedis.
This sculpture of Mithras killing the bull was dedicated to the ’incomprehensible god’ by a certain priest called Gaius Valerius Heracles.
The frescoes depict several figures dressed in different garments associated with the Mithraic degrees.
Fresco showing a scene of initiation into the mysteries of Mithras in the Mithraeum of Santa Maria Capua Vetere.
Procession of Leones carrying animals, bread, a krater, and other objects in preparation for a feast.
Fragment of a greyish marble relief depicting Mithras slaying the bull beneath a rocky grotto.
Roman stone low-relief depicting Mithras as a bull-slayer, with the upper part of his head missing.
The vault of the Mithraeum in S. Capua Vetere is decorated with stars that have holes in their centers, which once held colorful glass decorations.