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These fragments of a cult relief of Mithras were found at the Mithraeum II of Ptuj, Slovenia.
In the Tauroctony of Hermopolis, Cautes and Cautopates are placed over two columns at each side of the sacrifice.
This black marble of Mithras killing the Bull has belonged to the sculptor Carlo Albacini.
Relief of Mithras killing the bull with an inscription from a certain Aurelius Macer who dedicates it to Sol Invictus Mithras.
This simple relief of Mithras killing the bull without his companions Cautes and Cautopates was found in the so-called Mithraeum of the Esquilino, Rome.
White marble statue of Mithras killing the sacred bull preserved in the Museo Nacional Romano.
Sandstone relief of Mithras killing the bull, broken in two parts and partly restored, with dog, serpent and scorpion preserved; formerly in Vienna, now on loan to the Museum Carnuntinum.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
The altar of the Mithraeum of San Clemente bears the Tauroctony on the front, Cautes and Cautopates on the right and left sides and a serpent on the back.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
At the entrance to the Mithraeum of the Seven Sferes, Cautopates holds the torch with both hands and Cautes holds the torch in his right hand and a cock in his left.
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
Antiochus I of Commagene shakes Mithras hands in this relief from the Nemrut Dagi temple.
This remarkable marble relief from the end of the 3rd century was discovered in the most remote room of the Mithraeum in the Circo Massimo.
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Except for the serpent, the sculpture of the taurcotony found on the Esquiline Hill lacks the usual animals that accompany Mithras in sacrifice.
This scene of the main fresco of the Mithraeum Barberini seems to depict part of the initiation into the Mithraic Mysteries.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
