Filtering by Cautopates in monuments gave 133 results.
The tauroctonic relief from Dragu includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
This unusual representation of Mithras standing on a bull was kept in the Casino di Villa Altieri sul Monte Esquilino until the 19th century.
White marble altar from Mithraeum I at Ptuj, ancient Poetovio, decorated with a bust of Cautopates, two ram heads flanking a palm, and lateral representations of Mithras’ rock-birth.
The Tauroctony of Saarbourg (Sarrebourg, ancient Pons Sarravi), France, contains most of Mithras deeds known in a single relief.
Marble statue of a naked young man from Mérida, variously identified as a Mithraic torchbearer, a solar figure or a newly initiated member of the cult.
White marble base from Mithraeum I at Ptuj, ancient Poetovio, with an inscription and the preserved legs, garment, and torch of a Cautopates statue.
A marble tauroctony discovered in the military quarter of ancient Zeugma, providing the first known evidence for the cult of Mithras at the city.
Statue from Aquincum depicting Cautopates standing cross-legged in Oriental dress, holding a lowered torch in his right hand and a pelta in his left.
Marble relief from the Mithraic sanctuary founded by brothers Marcus Aurelius Frontinianus and Marcus Aurelius Fronto.
Pair of limestone torchbearer statues from Aquincum representing Cautes and Cautopates; Cautes preserves a pelta in his left hand.
The Tauroctony of Nicopolis ad Istrum is a rare Mithraic stele bearing two Greek dedications from different phases of its use.
The marble shows Mithras slaying the bull, on one side, and Sol and Mithras feasting on a bull skin, on the other.
The relief of Dieburg shows Mithras riding a horse as main figure, surrounded by several scenes of the myth.
Relief of bluish marble in the Casino of the Villa Doria Pamphili showing Mithras slaying the bull with the usual animals, cross-legged torchbearers, and Sol in a quadriga and Luna in a biga in the upper corners.
This limestone relief of Mithras killing the bull bears an inscription by a certain Flavius Horimos, consecrated in a ’secret forest’ in Moesia.
This relief is so well-known that it has been reproduced in nearly every handbook of archaeology and of history of religions.
Marble tauroctony relief from the Mithraeum of Memphis, depicting Mithras slaying the bull within an architectural niche framed by Cautes and Cautopates.
Rock-cut tauroctony forming the cult image of Mithraeum I at Doliche, later deliberately defaced by Christian iconoclasts.
This intaglio portrays Mithra slaying the bull on one side, and a lion with a bee, around seven stars, and inscription, on the other.
Fragmentary Mithraic relief from Ratiaria depicting the tauroctony above a series of narrative scenes from the myth of Mithras and Sol.
