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In the Tauroctony of Hermopolis, Cautes and Cautopates are placed over two columns at each side of the sacrifice.
This simple relief of Mithras killing the bull without his companions Cautes and Cautopates was found in the so-called Mithraeum of the Esquilino, Rome.
Small triangular slab bearing a Latin inscription referring to Sol Invictus and to a sacred cave, probably dating to the 4th century AD.
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The importance of the Mithraeum of Marino lies in its frescoes, the most significant of which is that of Mithras slaying the bull, surrounded by mythological scenes.
This is one of the three reliefs depicting Mithras killing the bull that the Louvre Museum acquired from the Roman Villa Borghese collection.
Diana-Luna, Mercurius, Jupiter, Saturn, Venus and Mars are depicted in the mosaics on the benches of this mithraeuma.
The relief of Mithras killing the bull of Stefano Rotodon preserves part of his polycromy and depicts two unusual figures: Hesperus and an owl.
The main fresco of the Mithraeum of Santa Maria Capua Vetere portrays Mithras slaughtering a white bull.
The low relief of Bourg-Saint-Andéol depicting Mithras killing the bull has been chiseled on the rock.
Luna riding a biga in the Mithraeum of Santa Capua Vetere.
The votive fresco from the Mithraeum Barberini displays several scenes from Mithras’s myth.
The Felicissimo Mithraeum has a floor mosaic depicting the seven mithraic grades.
Limestone altar from the Trier baths, carved on four sides with a lion and serpent, flanked by Sol and Luna, and likely linked to a Mithraic context involving Hekate.
An oval carnelian gem from Carnuntum showing Mithras tauroktonos in a grotto. Sol and Luna appear above, with both torchbearers and a small altar before the bull.
The sculpture of Mithras slaying the bull found in Dormagen is exposed at Bonn Landesmuseum.
This limestone relief of Mithras killing the bull bears an inscription by a certain Flavius Horimos, consecrated in a ’secret forest’ in Moesia.
Limestone low-relief depicting Cautopates standing cross-legged in eastern dress, accompanied by a bull, flowing water from an overturned jar and a crescent from Bolognia.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
The relief of Mithras slaying the bull at Mauls in Gallia cisalpina is a paradigmatic example of the so-called Rhine-type Tauroctony.
