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The House of the Mithraeum of the Painted Walls was built in the second half of the 2nd century BC (opus incertum) and modified during the Augustan period.
Lenni George on Hekate’s development across ancient traditions, from mystery cults to magical practice and philosophical thought.
On what Hekate’s name may or may not tell us, and why the uncertainty matters.
This unusual piece depicts Mithras slaying the bull on one side and the Gnostic god Abraxas on the other.
A limestone lion holding a flowing urn, discovered at the entrance of the Mithraeum of Les Bolards, reflects the ritual significance of water within the cult of Mithras.
Dominique Persoons proposes a reconstruction of Mithraic ritual based on archaeological remains, frescoes, and zodiacal symbolism. He interprets the mithraeum as a liturgical microcosm governing the descent, purification, and ascent of souls.
The cultural and religious world of fourth-century Rome is explored through the life and afterlife of Vettius Agorius Praetextatus. His case is set in comparison with other pagan and Christian senators of the period.
From the late first century CE, Mithras spread across the Roman Empire, leaving more than 130 sanctuaries and nearly 1,000 inscriptions. This volume offers a rigorous synthesis that renews our understanding of this enigmatic cult.
The temple of Mithras in Fertorakos was constructed by soldiers from the Carnuntum legion at the beginning of the 3rd century AD.
By reading Orphic theology together with Eleusinian ritual practice, the mysteries emerge as a structured mystagogy of transformation: a disciplined passage from forgetfulness (Lethe) to knowledge (aletheia), from mortality to participation in the divine.
A dark occult novel intertwining Templar mythology, ritual magic, and modern conspiracy, with Mithraic and gnostic motifs woven into its esoteric narrative. It explores the persistence of hidden initiatory currents in the contemporary world.
The Mithraeum of London, also known as the Walbrook Mithraeum, was contextualised and relocated to its original site in 2016.
The first and the third of the following essays written by Julius Evola are dedicated to the mysteries of Mithras, while the second essay concerns itself with the Roman Emperor, Julian.
Bas-relief depicting a naked Sol leaning over his fellow Mithras while raising a drinking horn during the sacred feast.
Excavated in 1919, the Mithraeum near the Roman Gate was installed in the 3rd century within a larger building complex.
The relief of Dieburg shows Mithras riding a horse as main figure, surrounded by several scenes of the myth.
This Mithraic relief of the Danubian type was found in 1940 in the old town of Plovdiv.
