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The tauroctonic relief from Dragus includes a naked flying figure that Vermaseren has identified as Phosporus or Lucifer.
Mithraic Influence on Early Christian Symbolism and Church – Architecture
This remarkable double-sided relief depicts the myth of Mithras and the Tauroctony on one side, and a scene of Mithras the hunter and the banquet of Mithras and the Sol on the other.
The Mithraeum of the Seven Spheres (Sette Sfere) is of great importance for the understanding of the cult, because of its black-and-white mosaics depicting the planets, the zodiac and related elements.
Over the last century or so, a great deal has been said about the god Mithras and his mysteries, which became known to the European world mainly through his Roman cultus during the Imperial Period.
This is the first known inscription that includes Phanes alongside Mithras found in a Mithraic context.
Upon first examination, archaeologists interpreted the inscription on the cult vessel from Gradishje as referencing Mithras, though it has since been re-evaluated.
It is indeed surprising to see Mithras represented in the Middle Ages, as we tend to assume that paganism was forgotten at an early date. Well, some representations of Mithras killing the bull in key locations in Europe prove the opposite…
Found in Illmitz, Austria, in 1959, this altar was dedicated to the unconquered god Mithras by a certain Aelius Valerianus.
The Cautopates of Bordeaux stands as usual with his legs crossed and arms down.
The Mithraeum of Schwarzerden, also know as Mithräum von Reichweiler, was carved on the rock.
This inscription was commissioned by a family of priests of the invincible god Mithras.
The Tauroctony found in Velletri, Rome, bears an inscription from its owner and donor.
The votive image was donated by a certain Verus for a mithraeum which was probably located in the hinterland of the Limes.
Ernest Renan suggested that without the rise of Christianity, we might all have embraced the cult of Mithras. Nevertheless, it has had a lasting influence on secret societies, religious movements and popular culture.
Translation and Introductory Essay by Robert Lamberton. Station Hill Press Barrytown, New York 1983.
Preamble and notes published by G. R. S. Mead in his series Echoes from the Gnosis 1907, London and Benares. Translation of the manuscript by Dieterich Eine Mithrasliturgie 1903, Leipzig.
Excerpted from Mushroom, Myth and Mithras, this passage elaborates on the Mithraic ritual and the degree of Nymphus.
In this relief found in the Sárkeszi Mithraeum, Cautes and Cautopates hold an Amazon shield.
Relief of Mithras killing the bull with an inscription from a certain Aurelius Macer who dedicates it to Sol Invictus Mithras.
